In 1972, three young people, Katie Mayfield, her boyfriend Danny Ivanisovic, and their friend Simon Willis, are house-sitting for Simon’s uncle in an isolated house in Herefordshire. They are joined by Trudie, mysterious, beautiful, seductive and manipulative. The summer weather is benign, and the surroundings idyllic. But Trudie’s presence creates tensions within the group and her obsession with a girl who was murdered in the surrounding woods a long time ago and her insistence on holding a séance lead to tragedy and death.
Now Danny’s mother, alone and dying in a care home, requests Katie to come to her and tell her the truth about her son’s death. Katie goes, reliving the painful past, but can she tell Danny’s mother the whole truth about the dreadful events of that long ago summer, about her own part in them, and about the consequences for herself?
first novel is outstanding. The narrative structure is clear, the
characterisation excellent, and the depiction of life at that time, when the
liberal legal reforms of the 1960s had not yet achieved social acceptance,
truthful and convincing. It bears comparison with Barbara Vine’s (Ruth
Rendell’s alter ego) A Fatal Inversion.
Reviewer: Radmila May
Diane Janes was born and
educated in Birmingham, but lived in various
parts of the north of England
for most of her adult life, until recently moving to Devon.
Having worked in everything from mortgages to engineering, she is now a full
time author of fiction and investigative non-fiction, specialising in crime.
When still an unpublished writer, she was short listed twice for the Crime
Writers' Association Debut Dagger and in 2010 was among the quartet of
finalists in contention for the John Creasey Dagger. She is published in both
the U.K. and the U.S.A. and some
of her work has been translated into German and Japanese.
Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.