‘Mystery at the Wedding’ by Clare Chase

Published by Bookouture,
27 May 2026.
ISBN: 978-1-80550636-2 (PB)

Eve Mallow is a journalist who specialises in writing obituaries. Previously, several of the people that Eve has written about were the victims of foul play. This has resulted in Eve interviewing lots of people involved with the dead person, which in turn has meant that she has been instrumental in solving many crimes. She has lived in the village of Saxford St. Peter for some years and there are several local people who are happy to help her with her investigations. Chief amongst these helpers are her dependable, intelligent husband, Robin, who is an ex police officer, now working as a police consultant, and Eve’s best friend, Viv, a local café owner and inspired baker, whose impetuosity and lack of self-control can often cause problems for herself and her friends. 

Both Eve and Viv are invited to the pre-wedding celebrations before the marriage of Adrian Denning and Ginny Rushton, which is going to take place at Gorrington House, the country manor belonging to the Denning family. Eve had been looking forward to the wedding celebration until she receives an anonymous letter that warns her of a possibility that there is danger attached to the wedding, and it asks for Eve’s help to prevent this. This letter worries Eve, especially when she arrives at the pre-wedding celebrations and realises the high level of tension that surrounds the family and guests. 

Adrian’s parents, Marcus and Bianca Denning, own a high-level design business that has been very successful but now it is financially struggling. The Dennings had been in partnership with a flamboyant and egotistical designer called Russell Cady and the dissolution of their partnership had been extremely acrimonious. Ginny is Russell’s illegitimate daughter, but she now works for Marcus and Bianca, which Russell regards as betrayal, even though he had been a neglectful and cruel father. To add to the tension, Russell’s legitimate children, Adele and Felix, are also present at Gorrington House in order to attend the wedding. Adele is similar to her father in temperament and arrogance, although he is dismissive of her talent; Russell is consistently nasty and insulting to Felix, who clearly hates his father as much as Russell despises his son. Eve thoroughly dislikes the way that Russell behaves but she still feels it is her duty to try to warn him that his unpleasant behaviour may be placing him in danger. Russell laughs off her warning and soon afterwards he is discovered murdered in his bed at Gorrington House. 

Eve receives the commission to write Russell’s obituary, and she and her friends start to investigate his death. Russell was an unpleasant and dishonest man, which means that he had a multitude of enemies. This in turn means that Eve has a large number of suspects. Another violent death occurs and Eve realises that the killer’s violence is escalating.

Soon she, Robin and Viv find themselves in a desperate race to save other prospective victims, and Eve is forced to place herself in danger to save innocent lives. 

Mystery at the Wedding is the sixteenth book in the series featuring Eve Mallow and her friends in the village of Saxford St. Peter. Eve is an engaging protagonist, and the plot is complex and interesting, with several credible suspects and an unexpected but convincing conclusion. This is an enjoyable cosy crime novel, which I recommend.
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Reviewer: Carol Westron

Clare Chase writes classic mysteries. Her aim is to take readers away from it all via some armchair sleuthing in atmospheric locations. Like her heroines, Clare is fascinated by people and what makes them tick. Before becoming a full-time writer, she worked in settings as diverse as Littlehey Prison and the University of Cambridge, in her home city. She’s lived everywhere from the house of a lord to a slug-infested flat and finds the mid-terrace she currently occupies a good happy medium. As well as writing, Clare loves family time, art and architecture, cooking, and of course, reading other people’s books.

www.clarechase.com  

Carol Westron is a Golden Age expert who has written many articles on the subject and given papers at several conferences. She is the author of several series: contemporary detective stories and police procedurals, comedy crime and Victorian Murder Mysteries. Her most recent publications are Paddling in the Dead Sea and Delivering Lazarus, books 2 and 3 of the Galmouth Mysteries, the series which began with
The Fragility of Poppies. Her most recent books is The Apples of Sodom. 

www.carolwestron.com 

‘The Hiding Season’ by Ava Glass

Published by Penguin,
26 March 2026.
ISBN: 978-1-529-97200-9 (HB)

I had to ration myself when I was reading this book, because I didn’t want it to end.  I entered the world of Maya Landry who is wounded from a broken marriage and putting her life back together. She stumbles into the deadly world of organised crime when she makes a spontaneous change in her work routine. 

The remote mansion in the exclusive million dollar development that should have been empty for cleaning, contains a freshly murdered corpse.  She drives to a spot where she has phone reception and summons the police, but by the time they arrive, the body has vanished.  She is dismissed as a troublemaker, wasting police time, but the crime syndicate behind the murder do not like loose ends. She has seen too much, and they are hunting for her. 

She is extracted by undercover FBI agent Riley Maguire and his enigmatic colleague Amber, and her life on the run begins. She creates a new life for herself, finding work, friends and a fragile sense of security, but the relentless machinery of death and revenge does not rest. Her secrets are endangering the people she loves and she has no choice but to leave everything behind again. A frantic journey begins once more, but can she even trust her rescuers? 

This is a high tension, high-stakes story of deception, corruption and death, and also a love letter to America. The action travels from Montana to small town Texas, to Chicago, taking the reader on a classic road trip. 

 Without losing the tension of the plot, the author deftly conveys the atmosphere of endless roads, dusty pit stops, small town diners and soaring cities. The story winds itself to a shattering conclusion. 

We are not just readers, we are witnesses. Now read on.
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Reviewer: Jane Andreoli

Ava Glass is the author of the espionage series Alias Emma. A former civil servant and journalist, she once worked closely with spies, and that experience fuels her writing. Ava is the pseudonym for an international bestselling author who has written more than ten crime novels under another name. Her books have been bestsellers in multiple countries and have been published in more than twenty languages. Alias Emma is currently being developed for television by The Ink Factory. Join Ava’s bookclub and win free books on her website:

www.AvaGlass.co.uk

 

Jane Andreoli. I have been in love with words ever since my mother read me bedtime stories before I could read for myself. As a writer, I enjoy creating mysteries with twists in their tails, and I love a well-crafted plot. My literary heroes are Jane Austen for her superb social observations, Shakespeare for the amazing way he crunched the English language into new shapes to express his emotions, Margery Allingham for her satisfyingly convoluted plots and Phil Rickman for his masterful command of supernatural atmosphere.  I also love Douglas Adams and Sir Terry Pratchett for their humour, satire, and social commentary. I have an honours degree in English, but fortunately that was so long ago that I have forgotten all those pretensions and rediscovered the joy of creative writing.  I am now a published author, currently working on my next book. I have just reached that delicious stage where the characters become autonomous and start making their own decisions.  Anything could happen and probably will.

‘Not a Word’ by Linwood Barclay

Published by HQ
10 September 2026,
SBN: 978-0-00855680-1 

Reece Chartwell calls in to see his parents one afternoon and finds them dead in bed – a clear case of murder and suicide. Except the dead woman is not his mother, and his father may not have shot her – or even himself.

Little by little, constant shifts in narrator, plus the occasional flashback, reveal the secrets not just of the family but of Big Pharma – think the OxyContin scandal and the Sackler family. 

Not a Word is a masterclass in plotting, in herrings which may or not be red, in characterisation and pace. It’s outstanding and totally absorbing. A must read.
……….
Reviewer Judith Cutler

Linwood Barclay was born 1955 in Darien, Connecticut.  After graduating high school Barclay studied literature at Trent University in Peterborough. After graduation, he could not sell any of his novels so he found work on a number of local newspapers, starting his journalism career in 1977 at the Peterborough Examiner, moved on to a small Oakville paper in 1979, and then to the Toronto Star in 1981 where he was, successively, assistant city editor, news editor, chief copy editor and Life section editor. He lives in Toronto with his wife, Neetha and two children. 

www.linwoodbarclay.com

Judith Cutler was born in the Black Country, just outside Birmingham, later moving to the Birmingham suburb of Harborne. Judith started writing while she was at the then Oldbury Grammar School, winning the Critical Quarterly Short Story prize with the second story she wrote. She subsequently read English at university. She has written eight series. In all 43 books. Her most recent series is set in Victoria times featuring Matthew Rowsley and housekeeper Mrs Faulkner as an engaging detective duo 

http://www.judithcutler.com

Crime writer starts new chapter as Coastal Crime announces 2027 date

Crime author Alex Stone publishes
her latest thriller,

The Jealous Girl,
and launches a major new festival in the South:
Coastal Crime.

Crime writer Alex Stone is preparing for a major new chapter this autumn - the publication of her latest psychological thriller, The Jealous Girl, and the launch of a new crime fiction festival.

Coastal Crime – The South's Crime Writing Festival takes place on Saturday 6 March 2027 at the Leonardo Royal Hotel Southampton Grand Harbour, bringing some of the biggest names in crime fiction together with emerging authors, aspiring writers, and readers for a day dedicated to the genre by the sea.

Festival founder Alex Stone was awarded a Katie Fforde Bursary in 2019 and published her debut thriller The Perfect Daughter with Boldwood Books in 2021.
Her new Dorset-set psychological thriller, The Jealous Girl,
is published by Boldwood Books on 10 September.

Alex Stone said: “It feels particularly appropriate that, just as The Jealous Girl is about to reach readers, Coastal Crime is beginning its first chapter.

“Writing can often be a solitary profession, which is one of the reasons I'm so passionate about bringing writers and readers together. Coastal Crime is about celebrating the authors people already love, helping readers discover brilliant new voices, and creating a community where anyone with a passion for crime fiction feels welcome.”

The inaugural Coastal Crime programme is packed with panels exploring topics from reinventing the whodunnit, coastal noir, and adapting novels for screen.

Featured authors whose books have been adapted for screen include Sarah Pinborough, with the Netflix smash, Behind Her Eyes, Luke Jenning, whose books inspired the global sensation Killing Eve, TM Logan,
whose The Holiday was adapted by Ch5
starring Jill Halfpenny, and New York Times bestselling screenwriter and novelist
M J Arlidge, whose book was adapted for ITV’s Innocent.

Other bestselling authors include the award-winning Vaseem Khan, who was commissioned by the Ian Fleming Estate as an official author of the
James Bond spin offs, featuring Q.

Journalist turned author Jackie Kabler also stars. Jackie worked as a news correspondent for the BBC, ITV and GMTV before writing bestsellers including 
The Perfect Couple and The Happy Family, selling over a million copies.

Sarah Pearse, Heidi Perks, Antony Johnston and Ava Glass also feature in a programme of talks, panels and opportunities for readers to meet new, emerging authors.

Alex said: “We’re creating a festival that celebrates bestselling names while championing new voices.”

Alex also runs an Author Events Academy, which has informed Coastal Crime’s dedicated Industry Hub, which will also run alongside the main festival.

The hub is aimed at aspiring and established writers, with sessions on breaking into the genre, understanding publishing routes, building visibility, mastering research, and pitching to agents, with expert contributors, including UK NetGalley Director Stuart Evers, on building a sustainable and visible writing career.

The hub also features forensic scientist Jo Millington, whose team has advised on major TV productions including Silent Witness, and Graham Bartlett,
a former senior police officer turned bestselling author.

Writers will gain direct industry perspective from Curtis Brown Creative, sharing what agents are really looking for and how to approach submissions with confidence, alongside additional publishing professionals and specialists offering guidance across craft, research and career development.

A limited number of one-to-one appointments with agents and editors are now available to book.

Alex said: “Developing new, aspiring and emerging writers is something of a passion of mine. I’ve been through the process of dreaming of being a writer to published author. My Author Events Academy provides online workshops and development opportunities for writers, so that expertise and learning have really helped shape what we feel is an inspirational and practical day at Coastal Crime.”

The day concludes with a relaxed drinks reception, to meet authors and fellow crime fans.

Alex’s latest book The Jealous Girl explores toxic relationships, obsession and revenge. The novel follows Kirsty, whose obsession with the woman who has replaced her in her former boyfriend's life draws her into a web of family secrets, lies and ultimately something much darker.

Dorset's dramatic coastline has long provided inspiration and settings for Alex's psychological thrillers, making the creation of a major crime writing festival on the South Coast a natural progression for the author.

Coastal Crime takes place on Saturday 6 March 2027
at the Leonardo Royal Hotel Southampton Grand Harbour.
Early Bird tickets with 25% off are available until 31 October.

For tickets and further information visit 
Coastal Crime – The South's Crime Writing Festival. 

‘Murder in the Midday Sun’ Edited by Cecily Gayford.

Published by Profile Books,
4 June 2026.
ISBN: ‎978-1-80522981-0

There’s nothing worse than going on holiday without an enticing book. Recently, en route to Italy, I had time to spare before my plane took off from Heathrow Airport. WH Smith had a well-stocked range of titles, but the one that I snapped up was Murder in the Midday Sun: Classic Crime for the Holidays, edited by Cecily Gayford. The anthology features ten short stories by such revered names as John Dickson Carr, Ruth Rendell, Edward D. Hoch, Edmund Crispin, Michael Gilbert, James Holding, Julian Symons, Anthony Berkeley, Val McDermid, GDH Cole and MI Cole.

The ten crimes littered throughout Murder in the Midday Sun are many and varied, ranging from stabbing to impersonation and theft. The setting of James Holdings’ ‘The Grave Robber’ brought back pleasurable memories of my visit to Egypt, while ‘Death in the Scillies’ by Julian Symons was all the more admirable for being such a compact tale, expertly told. Val McDermid’s ‘The Wagon Mound’ centred around the theme of revenge and was as refreshing as a dry, crisp white wine. Although I had previously read ‘The Wrong Problem’ by John Dickson Carr and Edmund Crispin’s ‘A Country to Sell’ in other collections, revisiting them was no less enjoyable. The sheer economy with which Edmund Crispin delivers an intriguing mystery within just seven pages is wholly commendable and offers aspiring authors a blueprint in brevity and ingenuity. Check out any short story collection by these two masters of the genre, and your reading is sure to be taken care of for a week or two. 

For me, the standout story in Murder in the Midday Sun was ‘The Theft of the Bermuda Stamp’ featuring Edward D. Hoch’s thief-turned-sleuth Nick Velvet. While many crime stories are told retrospectively, this caper unfolded in real time, with each clearly delineated scene moving swiftly to a highly satisfying conclusion. The first Nick Velvet story was published in 1966 as Edward D. Hoch’s answer to James Bond. Addicts of one of Edward D. Hoch’s most unusual heroes can continue his adventures in The Velvet Touch and The Thefts of Nick Velvet. 

Murder in the Midday Sun is an excellent anthology, and special credit must go to its editor Cecily Gayford for compiling it. Her love of the classic crime genre ensures each collection she publishes is to be treasured. In short, I am an unabashed fan of each series she curates. Recommended.
---------
Reviewer Jared Cade

Cecily Gayford studied English at the University of Oxford, where she wrote her thesis focusing on "Golden Age" detective fiction from the 1930s and 1940s. During her time there, she developed a deep fascination with the mysterious, gothic, and macabre side of literature. As an editorial director at Profile Books, she is widely recognised within literary circles for editing highly successful thematic anthologies of classic crime, mystery, and ghost stories. Her popular collections are usually divided into distinct seasonal (Winter and Festive Thrills) or atmospheric themes (Summer and Holiday Mayhem), and feature such stalwart contributors as Sir Arthur Conan Doyle, Dorothy L. Sayers, Margery Allingham, Ian Rankin, and John Mortimer. Her anthologies have collectively sold more than 250,000 copies. 

Jared Cade is the Amazon number-one bestselling biographer of Agatha Christie and the Eleven Missing Days, which is being released as a major motion picture in 2027. The upcoming adaptation stars two-time Oscar nominee Felicity Jones, French cinematic icon Vincent Cassel, and Game of Thrones star Alfie Allen. The author is a former tour guide for a bespoke travel company, escorting parties around Agatha Christie’s former home Greenway, in Devon, which is open to the public courtesy of the National Trust. Jared Cade is also the award-winning creator of the Lyle Revel and Hermione Bradbury mysteries. Titles in the series include The Elusive Dietrich, Murder on London Underground, and Deadly Fortune. His book, Secrets from the Agatha Christie Archives, was longlisted for the 2025 ALCS Gold Dagger for Non-Fiction, while the follow-up volume, Agatha Christie’s Spotlight on Murder, is being published on 30 November 2026.

 Jared Cade | Author

‘Seconds to Midnight’ by David Orson Newton

Published by Chiselbury,
 23 April 2026.
ISBN: 978-1-917837-43-9 (PB)

This is a timely and dystopian novel set in 2029/30 - The UK and Europe is on the brink of War.  The reader is initially unsure exactly who the enemy is but gradually as the plot unfolds it is clear that Russia and China are the main protagonists. 

The story follows the lives of five humans who enter the conflict - some willingly and others not.  This is basically a scenario about Cyberwarfare where the public is largely unaware of what is going on. 

British Intelligence launches two Top Secret operations which are powered by an artificial super intelligence designed to prevent war but the question throughout the novel concerns AI and whether it is saving humanity or replacing it? 

The five characters whose individual stories provide the mainspring of the action are a retired spy, a journalist chasing truth, a data scientist with potentially dangerous loyalties, a street fighter trying to make sense of chaos and a veteran who was determined never to fight again.  Each of these individuals confront a chilling present and deals with their circumstances in ways that explore conscience, fear and a desire to relate to another human.  

This is an unusual novel and not one I would have readily chosen but it proved a fascinating read and sadly appropriate to our age when many feel uncertain about the future and the possibility of AI replacing the need for humanity. 

A thoroughly worthwhile read.
--------
Reviewer: Toni Russell

David Orson Newton
is a combat veteran and technologist. Newton’s work has taken him from the warzones of Afghanistan, Iraq and Yemen to the leading edge of innovation in Silicon Valley. He now resides with his wife and son in rural Devon, England. An alumnus of the Faber Academy, Seconds to Midnight is his first novel.

Toni Russell is a retired teacher who has lived in London all her life and loves the city.  She says, ‘I enjoy museums, galleries and the theatre but probably my favourite pastime is reading.  I found myself reading detective fiction almost for the first time during lockdown and have particularly enjoyed old fashioned detective fiction rather than the nordic noir variety.  I am a member of a book club at the local library and have previously attended literature classes at our local Adult Education Centre.

News from the Continent:

 Dead or Alive

 by Gitta Edelmann

In crime fiction most stories are about death. Homicide, manslaughter – though, unfortunately, it’s all too often a woman that is slaughtered, so that we have to add femicide to the list – assassination, suicide. Or, at least, the novel or short story is about an attempt to unalive somebody. Of course, there are other crimes a writer can use in their narrative but most readers these days will probably expect a murder. 

In a crime novel we find dead characters and living characters.  In the writer’s head, however, they are all alive and kicking. Sometimes painfully so. They have to be, otherwise – at least that’s my experience – the writing will not go smoothly.  

Even if the narrative is plot-driven by questions like who is the villain, what appens next, by twists and climaxes, at the heart of the story we find the characters: the victim(s), the investigator(s), the witnesses and the bystanders. They have to act and think, investigate and make mistakes, solve the crime(s) or be caught.  They need a past and a present, strengths and weaknesses, and probably a hidden agenda. They have to be people like you and me. So far, so good. 

But, as always in life, there is a downside to those very alive characters in my head. They do solve most of my plot problems for me, but they may also cause new challenges by doing what they want. Nowadays, I just raise my eyebrows when that happens, nothing more. There is no point in forcing my ideas on others, not even on people born from my imagination. 

In a romantic novel my heroine decides to get her happy ending with a man who is not the one I originally designed for her. But in the course of the storyline he has proved himself to be the better choice. Fine, no problem. Keep going, girl. You know best and all empathising readers will understand and approve. 

A character in an alternate historical novel set in an airship is very moody and prickly. I need him to be like this to oppose the female captain and I know his background, but in one of the scenes he acts extremely erratic before going back to his cabin. The airship sways and an empty whisky bottle rolls out from under his berth. Ah, now I see. Good to know his secret. 

Alas, it may be far more complicated in a murder mystery. 

The first time such an unforeseen interference came up when I was writing a book in the Scottish mystery series MacTavish & Scott. I had drafted a detailed plot, and I knew the victim, the murderer, the how, the when, the where, and the why. I had already introduced a few red herrings for my private detectives and was happily writing away when something awfully shocking happened: My designated culprit was knocked off the Salisbury Craigs in Edinburgh by a person unknown. Now what?

No, I couldn’t change the scene back to my original outline. Somehow, it all felt so utterly right now. I had to admit to myself that I had been mistaken in the identity of the murderer.  I took a deep breath and once again I screened each of the other suspects for motive and opportunity. Some hours of thinking and a night of good sleep later, I finally knew who the real murderer was. And the story was so much better than my original idea.  

For another book in the series I had outlined a showdown for the last few pages. My detective was taken hostage by the killer and tried to talk her way out of the situation waiting for her friend to come to her rescue. But after a few sentences had been exchanged, I realised that the man was indeed shady, but he was not the murderer. Oops! 

Needless to say, that in the end I found a twist, a new suspect, a new solution to the case. And, again, I liked it better than the original idea.  

Meanwhile, I have learned how to avoid my stories being interrupted by such surprises: I abstain from plotting, though sometimes I have a rough idea how the story could end. But I keep an open mind. After 20 books of
MacTavish & Scott I know my lady detectives and their methods so well that I can trust them to solve the case I give them. I outline an assignment, like finding a missing person, and a setting, do some research for the background I want to use, and create a bunch of interesting and diverse characters. Then I just start writing, wondering what will happen.  

This will probably not work for everyone – there are as many methods of writing as there are authors. But if you get stuck in your manuscript, why not just ask your characters what they would like to do? They might answer. 

Fictional characters are never dead, even if they are murder victims. They live in the writer’s and the readers’ brains at least as long as we are writing or reading their stories. Sometimes they even stay alive forever and become immortal. 

Gitta Edelmann is a German author of novels and short stories in different genres. She is best known for her Scottish mystery series MacTavish & Scott – The Lady Detectives of Edinburgh that meanwhile comprises 20 books. The first six books have also been translated into English. Occasionally, she works as a translator or editor. She is a member of PEN, the Murderous Sisters and other writers’ associations in Germany, and of the Mystery People. 

www.gitta-edelmann.de

‘Deception’ by Alan Parks.

Published by Baskerville,
2 July 2026.
ISBN: 978-1-39981971-8 (HB)

It is December 1941 and Joseph Gunner, a former front-line soldier, is sitting in the Plaza Hotel near Central Park, smartly dressed and watching Joe Kennedy Jr (whose father, the powerful Senator Joe Kennedy Snr, is grooming him to be a future President of the United States) sharing a bottle of champagne with a young woman.  Gunner is in the States, officially as a member of the British Overseas Council, but actually as a member of the British Secret Service, there to try to persuade the USA to enter the Second World War.  Gunner’s job is to encourage pro-war sentiment, using planted news stories, radio broadcasts and blackmail, and generally disrupting the anti-war groups, of which Senator Kennedy is a vociferous supporter.  So when, later that evening, the younger Kennedy is photographed in a compromising situation with the young woman, this is useful evidence for blackmail. 

However, Alice, the woman involved in the ‘honeytrap’, is murdered and Gunner realises that the entrapment plan had been betrayed, so he tries to find out what is going on.  In so doing he becomes involved with Nazis, the New York mobs and the NYPD and, inevitably, there are more deaths.  Gunner starts to uncover a complex conspiracy, one that exceeds anything that he could have imagined.  The anti-war forces have the money, the resources and the manpower to pull some amazing stunts – including painting a huge Nazi swastika on an American ship in harbour for repairs, a tremendous coup if a photograph should ever get out. 

The plot maintains the tension throughout, helped by the well-described atmosphere of the time.  The characters are interesting, with individual allegiances changing without warning.  Gunner’s wartime injuries impinge on his ability to keep going and his doubts about his colleagues (he does not trust his boss, Nickerson) add to his problems and the general stress.  The sections of the book are divided into the week or so before Pearl Harbour, so the final outcome is not a surprise for the reader. 

This is the second in the series and works very well as a stand-alone.  The next book promises to be as gripping.
---------
Reviewer: Jo Hesslewood
Other books by this author:  in the Joseph Gunner series:  Gunner; in the Harry McCoy Thrillers:  Bloody January, February’s Son, Bobby March Will Live Forever, The April Dead, May God Forgive, To Die in June

Alan Parks has worked in the music industry for over twenty years. His debut novel Bloody January was one of the top crime debuts of 2018 and was shortlisted for the prestigious international crime prize the Grand Prix de Littérature Policière. He lives and works in Glasgow. 

Jo Hesslewood.  Crime fiction has been my favourite reading material since as a teenager I first spotted Agatha Christie on the library bookshelves.  For twenty-five years the commute to and from London provided plenty of reading time.  I am fortunate to live in Cambridge, where my local crime fiction book club, Crimecrackers, meets at Heffers Bookshop .  I enjoy attending crime fiction events and currently organise events for the Margery Allingham Society. 

‘Threefold Death’ by Victoria Dowd

Published by Datura Books,
8 Sept 2026.
SBN: 978-1-91741522-4 (PB)

Threefold Death is the second in Victoria Dowd’s Charlotte Blood Chronicles set in 1930. Charlotte is hoping to earn herself a permanent position as an investigative journalist at the Daily Clarion. She gets a chance to prove her worth when she is invited, along with two other reporters from rival newspapers, to join a small team of archaeologists hoping to discover the tomb they believe to be that of the warrior Queen Boudica who led the Celtic tribes against the invading Roman Legions. The party also includes Lord Elverage, who is financing the expedition, his wife and his nar do well son. 

The 2,000 year old tomb lies in an isolated spot deep in a corner of the Norfolk marshes. When the entrance is broken into they discover not only the ancient remains in the centre of the chamber but also a fresh corpse hanging upside down against the back wall.  Not only had the young woman been hanged, but she had also been stabbed and her face submerged in a pool of water below, her long red hair fanning out into the water. 

Is this grisly threefold death, by hanging, stabbing and drowning, the result of some curse or part of an obscure Druid sacrificial ceremony?   

Fierce storms begin to rage and rough seas make it impossible to escape from the marshy island. More deaths follow. The murderer has to be one of their party. Charlotte must weigh up the possibility that any further investigation on her part will make her their next target. 

There is a distinct gothic atmosphere to this whodunnit which has all the hallmarks of the locked-room mystery of the Golden Age. How did the murderer manage to conceal a dead body in a grave that has been untouched for over two thousand years? In addition, the party is trapped until the storm abates and they can be rescued. 

The fast-moving plot will keep readers turning the pages, puzzling over the red herrings as they try to identify the culprit. However, one of the greatest pleasures for me reading Victoria Dowd’s novels is her wonderfully drawn characters. One of my favourites is the outspoken Mrs C, Charlotte’s forthright landlady who is fiercely loyal to Charlotte. There is obviously far more to be revealed about Mrs C and her wartime experiences working with Archie Blood, Charlotte’s deceased husband, in the next book in this series which I hope I won’t have to wait too long to discover.
------  

Reviewer: Judith Cranswick   

Victoria Dowd was born and raised in Yorkshire and after studying at Cambridge, went on to be a successful criminal law barrister for many years.  Victoria’s debut crime novel, The Smart Woman’s Guide to Murder (published by Joffe Books) is the first part of a dark, humorous crime series that is a modern take on the Golden Age of crime fiction and authors such Agatha Christie, Ngaio Marsh and Josephine Tey. She is an award-winning short story writer, winning the Gothic Fiction prize for short fiction 2019 by Go Gothic. Victoria has had short stories published in BTS Literary and Arts Annual, Gold Dust magazine and also by Stairwell books in their literary and arts journal Dream Catcher. Her work has also been selected for publication in an anthology entitled A Ghostly Challenge. She speaks at various literary festivals, most recently in Bath, and at various schools and book groups.

https://victoriadowd.com/  

Judith Cranswick was born and brought up in Norwich. Apart from writing, Judith’s great passions are travel and history. Both have influenced her two series of mystery novels. Tour Manager, Fiona Mason takes coach parties throughout Europe, and historian Aunt Jessica is the guest lecturer accompanying tour groups visiting more exotic destinations aided by her nephew Harry. Her published novels also include several award-winning standalone psychological thrillers. She wrote her first novel (now languishing in the back of a drawer somewhere) when her two children were toddlers, but there was little time for writing when she returned to her teaching career. Now retired, she is able to indulge her love of writing and has begun a life of crime! ‘Writers are told to write what they know about, but I can assure you, I've never committed a murder.
I'm an ex-convent school headmistress for goodness sake!’ 

http://judithcranswick.co.uk/ 

‘Murder in the Wings’ by Amy Myers

Published by Severn House,
7 July 2026.
ISBN: 978-1-4483-1762-2 (HB)

Cara Shelley runs the Happy Huffkin Café, which is situated in the grounds of Tanton Towers, a large stately home owned by Max and Alison Farran Pryde. Like so many historic houses, Tanton Towers is open to the public in order to help with the vast expense of maintaining it and Cara’s café caters for the visitors, as well as helping provide for special events. Cara has become very close to Max and Alison and is always eager to help them. In the recent past there have been violent deaths connected to Tanton Towers, which Cara played an important part in solving. This has earned her the reputation of being a local ‘Sherlock’. It has also resulted in the development of her relationship with Detective Superintendent Andrew Mitchem who has recently moved into Cara’s cottage with her, and she is now happier than she has been for years.

One of the money-making endeavours at Tanton Towers is their new open air theatre and the first performance is Shakespeare’s As You Like It, performed by a rather eccentric local theatre company, the Merriday Players. The main performers in the company are all descended from Edward Merriday, a famous Edwardian actor-manager, his first wife, Rose, and his second wife, Miriam. Even a hundred years after the deaths of Edward Merriday and his two wives, the strange mix of heritage and talents causes tension within the company, with conflicting rumours claiming that either Rose had attempted to poison Miriam, or that Miriam had tried to poison Rose. Hannah, the company’s director, is a descendant of the second wife, Miriam, and casts Rose as the villain of the story. She vigorously declares her belief in Miriam’s talent and the love she claims Edward and Miriam shared. She is supported by her cousin, Eileen, a quiet, meek woman, who does not perform but serves as the play’s prompter. The younger actors include handsome, charismatic Jack, who is an excellent and ambitious actor; Tricia, who is beautiful, talented and ambitious, and is in a relationship with Jack; Dan is quiet and reliable, a good actor who would prefer to be a director; Mia is self-contained and composed and wishes to be a writer. The most flamboyant and eccentric of the actors is Matthew, who is known as the Golden Guy because, whatever role he is playing, he insists upon wearing a golden robe. 

Max is very negative about the arrival of the Merriday Players and Cara does her best to support Alison. Cast members keep turning up at the Happy Huffkin for coffee, food and meetings, and Cara is one of the two caterers who are providing refreshments for the two performances. To Cara’s horror, at the end of the first successful performance of As You Like It, Hannah is poisoned on stage while toasting Edward and her ancestor Miriam. 

Cara is horrified because she likes all of the suspects. Andrew is away from home investigating another case and when Cara meets the investigating detective, Detective Inspector Charmers, she dislikes and distrusts him and thinks that, far from being charming, he resembles a weasel. When the detective focuses his attention on people that Cara cares about, she is determined to discover the truth. Andrew returns and strongly objects to Cara’s involvement in the case, which he feels could involve a conflict of interest between his personal and professional lives. Cara continues to investigate, even though her determination to discover the murderer threatens to endanger both her relationship with the man she loves and her own life. 

Murder in the Wings is the third book in the British Stately Home mysteries, with a determined but vulnerable protagonist in Cara Shelley, and features a lively cast of eccentric characters. This is a gently paced mystery perfect for fans of cosy crime.
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Reviewer: Carol Westron 

Amy Myers was born in Kent, where she still lives. For many years she worked as a director in a London publishing firm, before realising her dream to become a writer. Her first series featured detective, August Didier, a half French, half English master chef in late Victorian and Edwardian times. She also wrote a series with her American husband James Myers featuring Jack Colby, car detective, there are 8 books in the series. She also writes a series set post WW1, featuring chef-sleuth Nell Drury. There are three books in this series.  She has also written nine books featuring Marsh and Daughter, and in between a series about a Victorian chimney sweep Tom Wasp. Her most recent series is The British Stately Home Mystery series. There are two books in this series. Amy also writes historical novels and suspense under the name Harriet Hudson. 

http://www.amymyers.net/  

Carol Westron is a Golden Age expert who has written many articles on the subject and given papers at several conferences. She is the author of several series: contemporary detective stories and police procedurals, comedy crime and Victorian Murder Mysteries. Her most recent publications are Paddling in the Dead Sea and Delivering Lazarus, books 2 and 3 of the Galmouth Mysteries, the series which began with The Fragility of Poppies. Her most recent books is The Apples of Sodom. 

 www.carolwestron.com