‘The Murder Planner’ by L.C. Tyler

Published by Allison & Busby,
22 October 2026.
ISBN: 978-0-74903440-5 (HB)

Sable Knight (known to her family as Eileen) is the owner and Commissioning Editor at Day & Knight, a London publishing house which specialises in crime fiction. However, this apparently innocuous description does not tell all. Her former business partner, Joe, started a sideline in commissioning struggling writers to plot perfect murders ostensibly for other authors who needed help. This turned out to be more lucrative than most publishing deals. Joe has since decamped to Spain apparently to run a bar, but in truth he needed to get away. We are told that he is now dead. Sable has continued with these ‘special editorial services. 

Problems start for Sable when a lady called Mrs Smith asks her to produce a plan for the murder of a philandering husband who is the chairman of a bank (fictional, of course). Sable engages Inderjit Singh to investigate possibilities. Singh turns out to be Derek Thomas, an unpublishable author who has a keen interest in his own health. After much research on location, Derek produces three scenarios which are sent to Mrs Smith. Shortly afterwards Lord Flowerdew, who happens to be the philandering chairman of a bank, meets his maker in one of the scenarios proposed by Derek. Fact definitely meets fiction.

Matters hot up. Sable starts to receive blackmail notes. The first is from someone called Pete McGill with whom she soon becomes friendly. It is not clear who has sent the others. Sable then finds that her brother Keith, a detective superintendent, has been put in charge of the investigation. He is convinced it is murder and thinks he knows the perpetrator but cannot prove anything. The rest of his team seem content to call it an accident. It gets even worse for Sable when her brother has his suspicions that someone has provided the template for the murder. It doesn’t help that Mrs Smith has gone off piste and not followed the (fictional, of course) post-murder plan. 

This is a highly entertaining, amusing and well-plotted novel (you won’t be surprised to know that there is an interesting twist or two at the end). Every time Sable thinks she may be getting off the hook, something happens to prolong her troubles. It is impossible to do justice to the wealth of characters and themes in a review, but here are a few of them. Sable’s mother is a highlight. She supports Labour but reads the ‘Daily Mail’; she knew the Kray twins and had them round for tea once (‘Lovely lads they were. So polite to your great gran.’). She spends most of her time watching television and there are many references to contemporary presenters and shows such as Richard Osman in ‘Pointless’ and Sue Barker in ‘A Question of Sport’. Alexander Armstrong is also mentioned. She is a sharp old girl as is proved later in the novel (‘You could cut yourself on her if you’re not careful’ Sable says to her brother). Writers such as WB Yeats get a mention, and there are plenty of deserved digs at crime fiction and its protagonists. Events such as ‘CrimeFest’ are cited. Tyler has a cynical turn of phrase. When Mrs Smith suggests that Sable’s advice is expensive, the latter’s response is ‘An MA in creative writing would cost more and be less effective.’ At one point Sable says ‘There’s nothing more irritating than an illiterate blackmailer.’ Shortly afterwards McGill claims to be ‘more of a post-modern blackmailer,’ whatever that is. 

Enough. I could go on but I think you’ll have got the message by now and I don’t want to say more about the plot. If you like your fiction to be fun, literate and enjoyable, this is the book for you. Highly recommended.
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Reviewer: David Whittle 

L. C. Tyler was born in Southend, Essex, and educated at Southend High School for Boys, Jesus College Oxford and City University London. After university he joined the Civil Service and worked at the Department of the Environment in London and Hong Kong. He then moved to the British Council, where his postings included Malaysia, Thailand, Sudan and Denmark. Since returning to the UK, he has lived in Sussex and London and was Chief Executive of the Royal College of Paediatrics and Child Health for eleven years. He is now a full-time writer. His first novel, The Herring Seller's Apprentice, was published by Macmillan in 2007, followed by nine further books in the series featuring Ethelred Tressider and his agent Elsie Thirkettle. The first book in his historical series, A Cruel Necessity, was published by Constable and Robinson in November 2014. Since then, he has published nine further books in this series. His latest book a standalone is The Murder Planner, published 22 October 2026. 

http://www.lctyler.com/

David Whittle is firstly a musician (he is an organist and was Director of Music at Leicester Grammar School for over 30 years) but has always enjoyed crime fiction. This led him to write a biography of the composer Bruce Montgomery who is better known to lovers of crime fiction as Edmund Crispin, about whom he gives talks now and then. 

‘Bonfire’ by Iona Hepburn

Published by Allison & Busby,

22, October 2026.
ISBN: 978-0-74903436-8 (HB)

The Lewes Bonfire is a landmark event each November 5^th. Six Bonfire Societies compete good-naturedly for an audience, each with its own traditions and costumes, and dozens of torchlit fancy-dress processions move through the town accompanied by marching bands and crowds of people. It's a huge event, with food stalls, charity collections and seventeen burning crosses to commemorate the seventeen Protestant martyrs burnt at the stake in Lewes during the reign of Bloody Mary. 

It's noisy, crowded and chaotic, but usually good-humoured and well-meaning – so when newly promoted DCI Holly Hennessy is presented with a barrel containing the half-burnt body of a young woman, it goes against the entire ethos of the occasion. 

For Holly it gets worse. The same evening, she comes face to face with her nemesis, Kyra Ford, now a prominent academic and presenter of television documentaries, and a witness to the crime. In their schooldays they began as best friends, but Holly blew their closeness apart with a betrayal that almost destroyed Kyra. Holly has regretted it ever since but has never had the opportunity to put things right. Until now. 

Holly is made SIO of the investigation into the young woman's death and soon finds herself embroiled in the murky and secretive world of online gaming. Lily, the young woman, was a gamer, and at university studying to make both playing and designing online games her career. There is a strong connection with one of the Bonfire Societies, and Holly finds they are as close-mouthed about their activities as the Freemasons. 

And then there's Kyra... 

As the investigation progresses Holly finds herself up against one obstacle after another. It doesn't help that the power struggles she encounters include one very close to home; one member of the team is a resentful DI who thinks he should have been given the promotion awarded to Holly, and he has supporters among the junior ranks.  

It's hard to believe that this is Iona Hepburn's debut novel. She has created a cast of diverse characters with meticulous care, from Holly herself, striving to appear self-possessed and capable but underneath a mass of contradictions and uncertainties, to fey Natasha Ferdinand, hostile and disruptive DI Devlin, and Josh, a rich young dilettante film producer. There's also Ian, Holly's amiable partner, and his engaging son Joe; Margot, her spiky but supportive boss. And of course, Kyra, who has survived their teenage rift far better than Holly from an emotional point of view. And a host of other players, all sharply drawn and individual. 

Holly is faced with an almost impossible task, and at the same time needs to deal with her own private life –   her conflicted feelings, both for Ian and Joe, and for Kyra, and how whatever conclusion he reaches will affect her wider family. 

More power to Iona Hepburn for keeping a firm hold on all these threads and ensuring they don't break as she gets to the bottom of the murders. I'm sure we'll be seeing more of DCI Holly Hennessy.
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Reviewer: Lynne Patrick 

Iona Hepburn is an ICU doctor who has worked in Lewes, taught at Sussex University, and now lives in Brighton with her wife and daughter. She likens her medical career to that of police detectives in their shared sense of humanity and overfamiliarity with death. Bonfire is her debut novel. 

Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.

‘The KIller's Mark’ by M W Craven

Published by Constable,
13 August 2026.
ISBN: 978-1-40871759-2 (HB)

The first few pages give us a mysterious safe-within-a-safe which is found in the house of a recently-dead Vice-Admiral; there's a tattoo artist who creates portraits of women on the soles of their feet; and ex-cop turned PI Washington Poe, about to take on the case of a stroppy teenager whose presumed-dead mother has turned out to be alive and working in porn movies... 

This was the kind of read that shows why M W Craven is a household name. The characters were fantastic: smart, permanently should-be-dieting Poe and his sidekick Tilly Bradshaw, a computer whizz and vegan non-swearer. The teenager is Esmerée Blue who explodes into their PI agency with attitude and wise-cracks covering her vulnerability. There are also Poe's on-call muscle Matt Towler, and Tilly's other boss, the highly-placed spy-master Alastor Locke. Their pursuit of Esmerée's mother, Océane Blue, brings them up against a terrifyingly violent Chinese gang, the Red Chamber, and there are a couple of episodes that aren't for the squeamish, though they're quickly over - on the whole the violence is off-stage. The underlying crime is plausible and horrible. The constant action and short chapters (2-3 pages each) keep the pages turning fast, and the wisecracks were laugh-out-loud funny. The action's mostly in Carlisle, with trips to London, Newcastle and Poe's wife's stately home of Highwood. 

A racy, twisty PI with wonderful characters, a fair body count and a riveting plot. This is the 8th Poe novel. There are a references to previous books, particularly in the final ransom drop sequence, and a number of spoilers, but I had no difficulty with catching up on the characters, even though it was the first M W Craven I'd read. I'll certainly be reading more! If you like starting with no 1, the first Washington Poe novel is The Puppet Show.
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Reviewer: Marsali Taylor 

M. W. Craven was born in Cumbria in 1968 but grew up in the North East. He trained for two years as an armourer before spending the next ten being paid to travel the world and drink ridiculous amounts of alcohol. In 1995, sick of writing postcards and having fun, he decided it might be time to do something a bit more sensible. And it doesn't get more sensible than doing a law degree. So, he did Social Work instead. Two years later he started working in Cumbria as a probation officer. Sixteen years later he took the plunge and became a full-time writer. Mike's first Washington Poe novel The Pupped Show, won the Gold Dagger for best novel in 2019.  The Botanist, published in 2022, the fifth book in the series won the Gold Dagger. There are now eight books in the series.  He lives in Carlisle. Mike is a member of the Crime Writers' Association, the International Thriller Writers' Association, and the Mystery People Group.

http://www.mwcraven.com/ 

Marsali Taylor grew up near Edinburgh and came to Shetland as a newly-qualified teacher. She is currently a part-time teacher on Shetland's scenic west side, living with her husband and two Shetland ponies. Marsali is a qualified STGA tourist-guide who is fascinated by history, and has published plays in Shetland's distinctive dialect, as well as a history of women's suffrage in Shetland. She's also a keen sailor who enjoys exploring in her own 8m yacht, and an active member of her local drama group.  

Click on the title to read a review of her recent book
Death in a Shetland Family

www.marsalitaylor.co.uk

‘Galway’s Edge’ by Ken Bruen

Published by Head of Zeus,
24 September 2026.
ISBN: 978-1-035924066 (HB)

In one sense it is sad to be reviewing this novel, as Ken Bruen died last year and ‘Galway’s Edge’ is the last of his 20 stories featuring Jack Taylor. In another it is a perverse pleasure to be savouring again Bruen’s vivid and violent world in the west of Ireland. 

Edge is a group of powerful figures in Galway which aims to rid the city of criminals and abusers. The Vatican, which considers Edge to be anti-Catholic, is not pleased when it discovers that a priest, Father Whelan, has joined it. Father Richard, special envoy to the Archdiocese of Galway, Tuam, and Athenry, is sent by a
foul-mouthed monsignor to request (a polite description) Taylor to speak to Whelan and dissuade him from membership. Father Richard is corpulent, hard-drinking and equally hard-eating (the pope had once referred to him as ‘an ecclesiastical barracuda’). Taylor, ex-garda and equally hard drinking, agrees to speak to Whelan. The day after he does so, Whelan is found hanged. This raises at least two questions: would Edge murder one of its own? Or, if not, who would be sufficiently courageous to take such a swipe at the organisation? Before long another member of Edge is brutally murdered, stabbed 50 times. 

As with its predecessor ‘Galway Confidential’, a convent is involved. Taylor is asked to investigate the disappearance of a valued crucifix. Via his criminal contacts, Taylor discovers what has happened to it and organises its recovery from the office of an unscrupulous businessman who surrounds himself with heavies. Although it ends well for the nuns, it doesn’t end well for the career burglar who recovers it and precipitates Taylor into more trouble. He is already tangling with a violent garda who is beating his wife. He is also asked to discredit suggestions of child abuse against another priest. 

An exchange gives a good idea of the world Taylor inhabits. ‘Don’t you have, like, any regular friends, I mean ordinary folk? Does everyone in your battered universe have a story?’ a friend asks, to which the response is ‘There’s a neon sign above my head that welcomes the weird and marginalised.’ Taylor inhabits a violent world and certainly mixes with low life, but there is an underlying sense of decency about everything he does (he won’t, for instance, drink Jameson’s whiskey as it is being exported to Russia!), as there is with most of his criminal friends. Persons who have no essential decency receive their comeuppance. 

As with Bruen’s previous novels, the action is punctuated by contemporary news (Trump and Putin, for example), often of a dispiriting nature. ‘What happened to our country?’ Taylor asks at one point. Bon mots from other writers appear between chapters. 

Bruen’s style is notoriously sparse. Were there an award for the fewest words on the page of a crime novel, he would win it hands down. He would win another award for the shortest sentences. Sometimes they’re not even sentences. He doesn’t really go in for descriptions of persons or place. It’s all in the dialogue or extremely pithy observations, and from these the reader enters another world. One begins to wonder why other novelists bother with their often-wordy descriptions. The answer is that they wouldn’t do the pared back style as convincingly as Bruen. The crime world has lost a truly individual voice. It is fortunate indeed that he has left us so many novels (there are many more than just the Taylor series). My introduction to Bruen was ‘Galway Confidential’. I hope to read the other 18 novels in the series and, if you haven’t already done so, I encourage you to do the same.
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Reviewer: David Whittle

Ken Bruen (1951-2025) was born in Galway, Republic of Ireland. He was educated at Trinity College Dublin.  He spent 25 years as a teacher in Africa, Japan, SE Asia & South America. An unscheduled stint in a Brazilian prison, where he suffered physical & mental abuse, spurred him to write. After a brief spell teaching in London, he returned to Ireland. He was the recipient of two Barry Awards His critically acclaimed Jack Taylor series was made into a successful TV adaptation.

David Whittle is firstly a musician (he is an organist and was Director of Music at Leicester Grammar School for over 30 years) but has always enjoyed crime fiction. This led him to write a biography of the composer Bruce Montgomery who is better known to lovers of crime fiction as Edmund Crispin, about whom he gives talks now and then. 

Death in the Dales: Report by Wendy Nakanishi

The weekend of 16-18 October saw the third annual ‘Death in the Dales’ conference convened in beautiful Sedbergh, known as England’s ‘Book Town,’ at the People’s Hall, with its dramatic backdrop of fells steeply climbing to the horizon.

 

Largely organised by Jean C. Briggs (aka J.C. Briggs, popular and prolific author of Victorian murder mysteries), an event called ’Noir at the Bar’ kicked off the festivities on Friday night with a showing of the famed classic Detour accompanied by a pie and peas supper. 

We were joined In England’s Book Town by these twelve northern writers for three days of film, performance and panels at venues across the town:

Martin Edwards
Kate Ellis
Antony Johnston
Roger Price
Nick Oldham
Simon Dinsdale
Dolores Gordon Smith
Tom Mead
Victoria Dowd
Christine Poulson
Fiona Veitch Smith
Deborah Swift
Jason Monagahan
Simon Michael
Priscilla Masters
Marsali Taylor
Matthw Booth. 

Presentations on Saturday included one on the current popularity of puzzles and interactive mysteries. 

Another discussed how true crime can be stranger than fiction.

 In a third, authors were asked to describe ‘haunted places’ they have encountered.

And three policemen (now retired) turned authors described how their experiences as cops have seeped into their writing.

 ‘Murder at Monksdale Manor,’ a mini drama composed by Martin Edwards, in which the the audience was invited to solve a crime based on testimony delivered by four suspect rounded off the evening. 

Sunday morning featured first a panel of three male authors, and then one of three female writers, discussing their books, with the conference ending with a marvellously entertaining performance by the talented author and actor manque, Matthew Booth.

‘In Plain Sight’ by Marion Todd

Published by Canelo Crime,
23 July 2020.
ISBN: 978-1-78863819-7

DI Clare MacKay and DS West are taking part in a charity run on the beach. There were fifty- or sixty-people taking part, and suddenly they just came to a halt.Bloody protesters at least thirty of the lying across the beach, Jim, her sergeant called out. Clare ran back to two uniformed officers telling them to get onto the station and request at least six more bodies and a couple of vans to get this lot shifted.

An elderly whitehaired man stood up from the sitting protesters and announced. We represent NEFEW. We object to McIntosh Water’s plan to build a bottled water plant on Priory Marsh. He continued ‘Priory Marsh is home to several rare examples of lichens.’ There was a ripple of applause from the protestors. Clare regarded them unimpressed. ‘I appreciate that but you’re disrupting a charitable event here. I’m guessing you don’t have a permit for this protest. Clare looked across the dunes and could see the first of the police cars approaching. The white-haired man opened his mouth to speak, but was forestalled by an ear-piercing scream that came from somewhere behind Clare. She turned to see a woman around thirty a short distance away, one hand on a pram handle. She cried out. ‘My baby, someone’s taken my baby.’ 

The woman had now been Joined by a man, Clare assumed was the baby’s father.  In response to Clare’s gentle prompts, she learns that the baby was a girl, six months old, and she had small purple birthmark on her neck. Clara turned to her colleague Sara and said take the parents’ home and stick to them like glue. 

Kevin and Lisa Michell lived in a modern, detached villa on the outskirts of St Andrews. A red Audi A3 and a Black Volkswagen Arteon sat on a hard standing at the front of the house. It was clear that they were comfortably off. 

Clare tells the parents that she has alerted colleagues in Dundee and Fife. She asks Lisa who they can call for her, but it appears that she in not in touch with her sister, and her mother is dead. Trying to pinpoint when exactly baby Abigail was taken Kevin said there was a pizza delivery bike heading away towards the main road, and I said to Lisa we should have phoned for a pizza. When the doctor arrived his first words were ‘did you give Abi her medicine this morning?’ Lisa went into blind panic, ‘We have to find her now?’ Abi has a congenital heart defect, the doctor explained. She needs digoxin twice a day. 

When DI Clare Mackay learns that the baby has potentially fatal medical condition, she knows that she and her team are in a race against the clock. 

As Clare investigates, she soon realises this victim wasn't selected at random. Someone knows who took the baby girl, and why. Which of the residents of St Andrews is hiding something and why? And what are the Mitchells hiding?  

With twists and turns, this is a mystery full of surprises. Will Clare and her team find Abi before it’s too late.  A compelling read.  Recommended.
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Reviewer: Lizzie Sirett 

Marion Todd is a native of Dundee. She studied music and worked for many years as a piano teacher and jobbing accompanist. Now a full-time writer, Marion lives in North-east Fife, overlooking the River Tay. She is the author of the bestselling DI Clare Mackay series, which has sold over half a million copies. Marion can be found @MarionETodd on X. 

                               https://www.mariontodd.com/

‘The Body in the Lighthouse’ by Kate Hardy

Published by Storm Publishing,
7 October 2024.
ISBN: 978-1-80508751-9 (PB)

Georgina Drake is 53 today. It is also the fifty-third anniversary of her friend Doris’s death. Georgina sighed, even her springer spaniel Bert is looking at her mournfully. Georgina really missed hearing from Doris, and it had been a long time since she last heard her voice. She sighed again and then headed back to Rockery Farm, her home.  The arrival of her friend DI Colin Bradshaw together with her favourite flowers restored her spirit. Then Colin drove her to meet with her closest friends in the village, Sybbie, Francesca and Jodie, to celebrate her birthday. 

As the group toasted Georgie Happy Birthday and she blew out the candles, she said that she had a commission tomorrow in Summerstrand, photographing the lighthouse and the man who was renovating it. Jodie said, ‘I don’t think that you will enjoy your photo session very much’. ‘Why not,’ said Georgie’?  Well, you know Vicky Evans who teaches at Wenborough Primary School and whose little boy Harry is my son’s best friend. Well, the guy renovating the lighthouse is Eliot Manson, her ex-husband, and he is not a nice man. Also, one of my clients Tara, who is my best friend’s sister, has moved in with him. Which means I am sort of working for him. 

Georgina learns that when Manson’s discovered that Sally and her husband Ben were going to buy the lighthouse he gazumped her. Manson is now barred from the Feathers, their pub. ‘Why’ asked Georgie does Sally want the lighthouse. She’s the village part-time GP and runs a pub?’. Her Dad used to be the lighthouse keeper in the 1960s and 1970s said Jodie, and I think Sally wants to turn it into a museum. 

The next morning, Georgina headed for Summerstrand dressed for work in smart black trousers a black sweater and good trainers. There was a massive sign for Manson’s new development. Manson’s Range Rover was parked outside. She knocked a couple of times but there was no reply. She tried the handle, but it was locked. She then tried his phone, but it went straight too voice mail. So, then she telephoned Manson Developments and spoke to Phoebe, his PA. She said she would bring over a set of spare keys. As they waited, Bert, trotted across the flat area, and started to scrape the sandy area.  And Georgie heard a voice in her hearing aids, she hadn’t heard in a long time. It was Doris. ‘Georgie, I think we need to talk’……. 

Gaining access to the lighthouse they find Eliot Manson had clearly been dead for a while. The police suspect a carbon monoxide leak, but to Georgina’s professional eye, something about the scene looks too staged to be an accident. 

And as if that wasn’t enough for one morning, Bert digs up human remains buried near the lighthouse. Could these decades-old bones be connected to Manson’s death?  He certainly had no shortage of enemies.  But then there is a second murder. A totally unexpected one for someone who is much liked. How does that link in? 

Full of twists, turns, and surprises. Not to be missed. Highly recommended.
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Reviewer; Lizzie Sirett 

Kate Hardy as written for as long as she can remember; it started with stories about ponies and dogs, moved into ghosts and history, and then into local history and romance. She's won three Romantic Novelists' Association awards for her romantic fiction - and is thoroughly enjoying her new life of crime! She lives in Norwich with her husband, two grown-up children, two spaniels and too many books to count. When she's not writing or researching, she'll be out at a gig or the theatre, at ballet class, doing cross-stitch, taking photographs of the sunrise while persuading the spaniels to stay still for one second, fossicking around on a beach or in archives, or exploring ancient buildings. She loves learning new things, which is why you'll always discover something different in a Kate Hardy book. Oh - and, like her heroine Georgina Drake, Kate's deaf but doesn't let it hold her back in any way. 

‘Falling Leaves’ by Lea O'Harra

Published independently,
31 January 2026.
ISBN: 979-824516983-5 (PB)

November, 1983, in Japan, and 13-year-old Mei is kidnapped on her way home from school, and thrown into a boat. We share her terror and watch as her frantic family search everywhere for her. When the police are finally called, the family falls under suspicion, but there's no hint of anything wrong with them, and no ransom note is ever received. Then we follow Mei's boat journey and learn where she's arrived: North Korea. 

After that introduction, the modern-day story begins, on the fortieth anniversary of Mei's kidnapping. DI Ando and DI Kubo are called to Chief Inspector Inoue's office. They are to investigate the case of Tomoko Gammo, a pretty, kind, clever student found dead in her room at University. They soon find that other students have been bullying her because of her Korean father... 

 I was fascinated by the background of Japanese-Korean interaction that underpins this novel Mei's story illustrating the deliberate kidnap of Japanese people so that North Korea could use them to learn how Japanese people behaved and talked, so that they could spy on them more effectively.  The theses of Gammo's fellow-tutorial students, both South Korean, focus on atrocities committed by Japan when it took over Korea. We gradually learn of the links between other characters in the novel and Mei's family, and see the result that her abduction had on them: her parents and one brother caught up in a media-circus in the forlorn hope that they might get Mei returned to Japan, her uncle stuck in squalor on the family farm, her other brother running a small bicycle repair shop - and he's a friend of Gammo's.  

Chief Inspector Inoue is a great lead investigator, fair but determined, and the reader becomes increasingly concerned about his health as the novel progresses. DI Ando is recently married, and happy in his new life, but his partner DI Kubo had a run of ill-fortune which has given him a drink problem, and he's on his last warning unless he can pull himself together. The plot is a compelling read as secrets are revealed and fragmented family members try to reach out to each other, the descriptions of Japanese life are authentic and vivid, and the ending is satisfying. 

A beautifully-evoked autumnal Japan with interesting characters and a plot which takes us into less well-known parts of Japan's history, and the effects of that on its present.
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Reviewer: Marsali Taylor

Lea O’Harra.  An American by birth, did her postgraduate work in Britain – an MA in Lancaster and a doctorate at Edinburgh – and worked full-time for 36 years at a Japanese university. Since retiring in March 2020, she has spent part of each year in Lancaster and part in Takamatsu on Shikoku Island, her second home, with occasional visits to the States to see family and friends. An avid reader of crime fiction since childhood, as a university professor she wrote academic articles on it as a literary genre and then decided to try her hand at composing such stories herself, publishing the so-called ‘Inspector Inoue mystery series’ comprising four murder mysteries set in rural, contemporary Japan. She has also published two standalone crime fiction novels.

Marsali Taylor grew up near Edinburgh and came to Shetland as a newly qualified teacher. Marsali is a qualified STGA tourist-guide who is fascinated by history, and has published plays in Shetland's distinctive dialect, as well as a history of women's suffrage in Shetland. She's also a keen sailor who enjoys exploring in her own 8m yacht, and an active member of her local drama group.  She lives with her husband and two Shetland ponies.

www.marsalitaylor.co.uk 

LONDON ST ANDREW’S BOOK FESTIVAL

Returns For Its Third Year,
 Bringing Scottish Literary Excellence
 To London
Including Val Mcdermid, Harriet Tyce,
Chris Brookmyre and More

16^th – 22^nd November 2026

 standrewsbookfestival.org |
@standrewsbookfest | Images

The vibrant celebration of Scottish literature and culture
returns to London for its third year, featuring:

 Carol Kirkwood, Bill Paterson, Val Mcdermid,

Alice Strang, Andrew Lownie, Avril Millar,

Ayesha Hazarika, , Brian Beacom, Brian Groom,

Charles Cumming, Chris Brookmyre, Christina Riley,

Colin Macintyre, David Goodman, Frances Crawford,

Gareth Russell,Gavin Esler, Gordon Kennedy, Gordon Simpson,

Hannah Lavery, Harriet Tyce, Ian Buxton, Jackie Kay,

Jenni Fagan, Jo Sharp, Kenneth Steven, Kirsty Lockwood,

Len Pennie, London Gaelic Choir, Louise Welsh,

Marcas Mac An Tuairneir, Mhairi Collie, Murray Pittock,

The Maclean Brothers, Professor Sue Black, Alan Johnson

Now in its third year, the London St Andrew’s Book Festival returns to London on 16-22 November 2026, with an expanded programme featuring the best of Scottish literature and culture, as well as the first ever Gaelic event with words and music. The festival is brought to life by Scots in London, an organisation founded in 2017 to promote Scottish heritage, culture and the arts in the London area. Scots in London brings together groups including two Church of Scotland churches, the Caledonian Club, London Scottish Rugby, the ScotsCare charity and the Burns Club of London.

Featuring some of the most respected names in the Scottish literary scene, as well as exciting new debut authors, this year’s London St Andrew’s Book Festival will spread across Scotland House London, the Caledonian Club and St Columba’s Church of Scotland. The week-long programme brings the best of Scotland’s literary and cultural legacy to the English capital, with a feast of genres and illuminating discussions to choose from.

Events Director Susan Pym said: “On behalf of the London St Andrew’s Book Festival team, we are thrilled to be returning to London for the festival’s third year. We firmly believe that the rich literary talent and cultural offerings of Scotland deserve recognition beyond the Border. With this festival, we aim to share the best-of-the best of Scottish talent, including exciting debut authors, with new and far away audiences who may not have otherwise discovered them. We are so excited to be able to share this year’s stellar line-up and look forward to another year of celebrating with Scots in London.”

Over the course of a week, the festival will delve into discussions around a plethora of topics and genres, spanning history, crime, sports, celebrity, art, memoirs, music, and more. Highlights include former BBC Breakfast weather presenter Carol Kirkwood’s ‘Literary Lunch’, where she will provide fascinating tales from her life, unpacking her broadcasting career and writing life; actor and national treasure Bill Paterson’s account of his childhood in a discussion of Tales from the Back Green, his memoir detailing a changing Glasgow from the 1950s to the present; and the Maclean brothers Ewan, Jamie and Lachlan Maclean’s discussion of their extraordinary memoir Three Brothers in a Boat, recounting their recently completed record-breaking 9,750-mile row across the Pacific Ocean to raise over £1 million for clean water projects.

Fiction fans will have their pick of genres, with talks and panel events from well-loved novelists, including: acclaimed crime writer Val McDermid who will join Geographer Royal for Scotland Jo Sharp to discuss This Door of Seas, their contribution to the acclaimed ‘Darkland Tales’ series; former sports writer Gordon Simpson, who will chat to Clark McGinn about his gripping new golf thriller Four Deadly Swings; award-winning Scottish novelist Jenni Fagan on her darkly imaginative new novel The Delusions; Traitors star and bestselling author Harriet Tyce, whose new thriller Witch Trial explores a sensational Edinburgh murder case; and award-winning crime writer Louise Welsh, discussing The Cut Up, to name a few.

History buffs will enjoy leading historians Murray Pittock (The Shortest History of Scotland) and Brian Groom’s (These Isles) presentation of ‘A Very Short History of Scotland’, in which the Scotland experts delve into battles, kingdoms, identity and nationhood to explore the forces that have shaped Scotland over centuries. Royal family historian Andrew Lownie will also be a speaker at this year’s festival, discussing the ever-evolving story behind Entitled, his explosive investigation into Prince Andrew and Sarah Ferguson. Historian and broadcaster Gareth Russell will discuss Queen James, his acclaimed new biography of James VI and I, exploring the king’s turbulent reign, political intrigue, and six great loves. Art historian Alice Strang brings the bold, brilliant history The Scottish Colourists: Art & Life to life in her event on the groundbreaking group that transformed Scottish art in the early 20^th century.

In addition to the extensive prose programming, the festival will be bringing together three of Scotland’s most distinctive poetic voices for a vibrant celebration of spoken word, storytelling and performance. Former Makar Jackie Kay (May Day), award-winning poet and social media sensation Len Pennie (Poyums Annaw), and acclaimed poet, playwright and performer Hannah Lavery (Everything Everyday) will be sharing powerful, moving and often joyful works that explore identity, language, place and the stories that connect us all.

The festival is passionate about promoting not only established authors, but also providing a space to platform skilled newcomers to the writing scene. This year, they will be welcoming four talented debut authors for an exciting event showcasing first-time authors Mhairi Collie, a consultant surgeon who has authored the medical drama The Bright Fabric of Life; Avril Millar, engineer, teacher, CEO and author of Feral; Christina Riley, underwater artist in residence at the Argyll Coast Hope Spot, whose work inspired her collection of essays Looking Down at the Stars; and Kirsty Lockwood, former political journalist, a ‘Young Women Scotland 30 Inspirational Women Under 30’ award-winner, and author of the tense psychological thriller, We Know What You Did.

For its first ever Gaelic event, poet and songwriter Marcas Mac an Tuairneir will join the festival for a unique evening of poetry, conversation, and live music from The London Gaelic Choir. Exploring Gaelic language, Scottish and LGBTQ+ identity, resilience and belonging, Marcas discusses his journey as an English-born Gaelic learner using musical settings of his poetry.

All of this and more – including whisky tastings and Scotland-themed quizzes complete with prizes –  will see London transformed into a hub of Scottish excellence this Autumn. The public box office opens on 25^th September, following a launch event at Scotland House London on the 23^rd. Special guest speaker and featured author Gavin Esler will give a speech to kick off this celebration of all things Scottish. Advance booking for Festival Friends and Members begins from 23^rd September. To view the full programme and book your tickets head over to......

  www.standrewsbookfestival.org.