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Sunday, 14 August 2022

‘Truly, Darkly, Deeply’ by Victoria Selman

Published by Quercus,
7 July 2022.
ISBN: 978-1-52942-064-7 (HB)

The question that lies at the heart of this accomplished and chilling novel is one that’s guaranteed to give the most confident person pause: how well do we really know the people we believe we’re close to?

Sophie Brennan was resentful and hostile when her mother Amelia-Rose tore her away from the security of her grandparents’ home in Massachusetts and moved thousands of miles away to London. But then charming, upbeat Matty Melgren came into their lives, and life became fun again. Matty took the place of the father who had abandoned them when Sophie was too young to remember him, and she grew to adore him.

Even when a spate of killings struck terror into hearts of young women, especially ones who resembled Amelia-Rose as the victims did, Matty was reassuring, and allayed their fears and worries. And when their slightly sleazy odd-job man neighbour was taken in for questioning by the police, it seemed Matty was right to be confident that nothing would happen to them.

But twenty years later, Sophie knows better. The killer turned out to be Matty himself – and now he is dying in prison and wants to see her. He has always denied his guilt; is it time for the truth to come out?

The story unfolds in both time-frames: Sophie’s childhood, as Matty weaves himself into the fabric of their lives, and her adult self, in therapy, damaged and unhappy, now asking herself if she will get the answers she has craved since childhood – and if she really wants them after all.

The result is a layered, satisfying novel full of twists, turns, richly drawn characters and a final twist you’ll never see coming. Matty is the antithesis of the conventional sad-case serial killer; he is sociable, cheerful, holds down a responsible job and enjoys warm friendships and a close and caring relationship with both Amelia-Rose and Sophie. Amelia-Rose is complex, blowing hot and cold when Matty avoids the topic of marriage, sometimes light-hearted, other times edgy and uneasy.

It’s not a conventional thriller, but all the more chilling because you think you know what happens right from the start. But what do we really know, and what do we surmise because we see what we want to see?

Once you start reading you won’t want to put it down until the questions are answered.
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Reviewer: Lynne Patrick

Victoria Selman  graduating from Oxford University,  and the studied Creative Writing at the City Lit and wrote for the Ham & High and Daily Express newspapers. In 2013 she won the Full Stop Short Story Prize and her first novel, Blood for Blood, was shortlisted for the 2017 Debut Dagger Award.

Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fictio

Thursday, 11 August 2022

‘West Country Murder’ by Derek Thompson

Published by Joffe Books,
24 January 2022.
ISBN: 978-1-80405-080-4 (PB)

Craig Wild is beginning to settle into his new life as a detective sergeant in a small Wiltshire town, though it’s very different from his previous one in the Met. But murder happens even in the West Country, and Craig finds himself embroiled in one during a day off at a literary festival. 

Sometimes helped and often hindered by his new colleagues, he sets about getting to the bottom of several mysteries surrounding the victim. When his body was found he was clutching a book by a well-known author; why does she deny all knowledge of him? Why does it appear that he is using a fake name? And why had he travelled all the way from Lincolnshire to attend the festival?

Craig’s nickname at the police station is Wild Card, and not without good reason. He doesn’t hesitate to go off piste if the conventional route isn’t moving the investigation forward, even though he is tasked with mentoring PC Marnie Olsen, a bright and mettlesome young woman with ambitions to become a detective. He has worked with Marnie before, and though they’re very different they get on well – though rather less well with his boss, the formidable D I Marsh.

The twisty plot soon thickens into something to match any case Craig was involved in during his time with the Met. Organized crime, drug dealing, arson, blackmail and attempted abduction all figure strongly; and the murder at the festival isn’t the last. But between Marnie’s psychology, Marsh’s attention to detail and procedure and Craig’s own maverick tendency, they triumph in the end, and sometimes even co-operate instead of working against each other.

Craig Wild is far from unique in the annals of crime fiction, but he’s what might be described as a bit of a character, so he has a certain appeal. The result is a decent, workmanlike  police procedural with plenty to please fans of the genre.
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Reviewer: Lynne Patrick

Derek Thompson grew up in London and started writing fiction in his teens. After spending a year in the US, he returned to London and subsequently moved to the West Country. He wrote a commissioned piece for The Guardian in 2008 and entered the world of freelance writing in 2009. His love of film noir and thrillers began with The Big Sleep, and has never left him. Much of his fiction involves death, data or secrets. As the saying goes: write about what you know. He writes about Thomas Bladen and his role in the Surveillance Support Unit. His books have been described as snarky (yes, it’s a real word), pared down, and morally ambiguous. What more could any novelist ask for? Apart from pens — you can never have too many pens.

 Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.

‘The Orphans of Mersea House’ by Marty Wingate

Published by Alcove Press,
11 August 2022.
ISBN: 978-1-63910-88-0 (HB)

Set in Southwold in Suffolk, England in 1957, the story opens as Olive is packing her few belongings into two cases following the death of her mother. With only three pounds, four shillings and sixpence in her post office account and no prospects to speak of, Olive must find work and somewhere to live. A visit from Miss Constance Binny pointing out that Olive has no previous work experience and therefore no references was followed by an offer that produced in Olive a cold, creeping dread.

Then out of the blue comes her childhood friend Margery Paxton whom she hasn’t seen for fifteen years, and yet here she is to claim her inheritance: Mersea House a large old house she plans to turn into a lodging house. And Margery wants her to run the establishment. While she takes over her late uncle Milkey’s shop Paxton’s Goods in the High Street, updating it with the latest in electric steam irons and French table linens.

The first lodger to arrive at the boarding-house is Hugh Hudson, manager of the town cinema, swiftly followed by Mrs Abigail Claypool, who turns out to be something of a recluse, even wanting to eat her meals in her room.  But the most unexpected and surprising arrival, is eleven-year-old Juniper Wyckes, the orphaned daughter of Mr and Mrs George Wyckes, who according to Mrs. Lucie Pagett, Children's Officer at the local authority, is Margery’s ward.  The further shock is that Juniper was severely stricken with polio as a child, resulting in the need to wear leg-irons.

The next surprise was actually mine in discovering that I was totally enthralled with a story that is not strictly crime fiction, but I couldn’t put it down.  I had to learn all about these people.  How they would interact, what were their secrets? Because clearly, they all had secrets. I wanted to know how their lives would work out.

Of course, it’s never plain sailing, obstacles appear, one in particular being Miss Binny who has to have her nose in everything. And the threat that Mrs Lucie Pagett is keen to make clear is that that Juniper will be taken away if her welfare is in jeopardy.

Will the inhabitants of Mersea House come to safe harbour? Read the book and find out. Highly recommended.
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Reviewer: Lizzie Sirett

Marty Wingate is a Seattle-based author and speaker about gardens and travel. She is the author of The Garden Plot, first in the Potting Shed mystery series. There are now eight books in the series. Marty’s garden articles appear in a variety of publications, including Fine Gardening, American Gardener, Country Gardens, and Gardening How-to. You can hear her on the podcast A Dry Rain, available free from iTunes. She leads garden tours to European and North American. The Bodies in the Library, published in October 2019 was the first in her new series. She has now written two further books in the series.

martywingate.com/

Wednesday, 10 August 2022

‘The Corpses at Waterloo’ by Lynn Brittney

Published by Iris Books,
16 July 2022.
ISBN: 978-1-907147-83-8 (PB)

The increasing death toll of the First World War means there is a lack of manpower in Britain and many jobs have been taken over by women to fill the gaps. The police authorities have been forced to work alongside voluntary organisations run by woman, but they are unwilling to employ them in any official capacity. With the blessing of the Scotland Yard Commissioner, Sir Edward Henry, Chief Inspector Peter Beech has set up a secret investigation team that, in a small way, rectifies this waste of female skills. As well as Beech, this team is made up of two serving policemen: a seasoned police officer who has been brought back from retirement, Detective Sergeant Arthur Tollman, and Constable Billy Rigsby, who has been invalided out of the army with a crippled hand and a scarred face. Far more controversial, Beech has enlisted the services of three talented young women: Doctor Caroline Allardyce, Mabel Summersby a pharmacist, and Victoria Ellingham, who has had legal training; also part of the team are Billy’s mother and aunt, Elsie and Sissy, two kind, tough, practical women who can turn their hands to anything. The group works on special, sensitive cases; they are based at the Mayfair home of Victoria’s mother, Lady Maud Winterbourne, who sometimes helps with investigations. The phone number of the team’s headquarters is Mayfair 100, which is the reason for the name of the overall series.

At the start of this book, Constable Billy Rigsby knows it will be an ordeal to accompany his mother and aunt to the funeral of the son of a former neighbour who died in the trenches, but Billy never shirks his duty and goes with them to The London Necropolis Railway Station at Waterloo. There are several diverse groups of families waiting to receive their soldier loved ones and Billy is asked to help with the organisation of matching the large number of coffins with the correct families, At first, all goes smoothly, but then he discovers the body of a young woman sprawled over a soldier’s coffin. Greatly shocked, Billy telephones Mayfair 100 and summons the team to his aid.

When Tollman and Beech arrive they open the coffin upon which the dead woman was lying and discover a tattooed and headless corpse that is definitely not the Captain who should have been in the coffin. The team opens the other coffins and discovers that two more of them contain sandbags rather than the soldiers’ bodies. This leads to the uncovering of two cases of deception with very different motives. One coffin should have held the body of a fourteen-year-old boy. This case, which awakens anger and pity even in the tough, experienced police officers, reveals the British Army’s policy of turning a blind eye to the enlistment of underage boys, even though they are totally unfitted for the horrors of the trenches. These children are convinced to join the army by propaganda and social pressure from people who believe it is appropriate for working class boys to be used as cannon fodder. All of the team feel sympathy for the relatives who faked a shell-shocked boy’s death to rescue him from this hideous situation and Beech and the Commissioner are determined to bring this abuse to official attention. The absent corpse in the other sandbag filled coffin evokes very different emotions in the police officers. This absent body is the son of a criminal family who had been given the choice of joining the army or going to prison. His powerful, violent family will harm anyone who displeases them, even their own relations, and they are determined to prevent him from going to either prison or the trenches by arranging to fake his death. The team’s investigation reveals that this is not an isolated incident but an issue of serious corruption, which involves the criminal underworld, undertakers and dishonest police officers who forge paperwork for profit.

The team’s investigation into the murdered woman and the body in the coffin opens with the necessity of identifying both of the corpses and also discovering the whereabouts of the Captain who should have been in the coffin. Soon the team uncover motives for the two murders, which are remarkable for their selfish callousness. Also, Elsie and Sissy discover another side effect of the vast male death toll: the failure to provide for the widows and children of dead servicemen, who are forced to deal with severe poverty as well as grief. As with the enlistment of underage boys, this impacts the poor and working class far more than the privileged. Elsie and Sissy are determined to bring this failure to the attention of those with the power to create change, which leads them to join forces with several influential women, and forge an alliance with the one-time suffragette, Sylvia Pankhurst, who works tirelessly with poor and desperate families.

The Mayfair 100 team have to use their entire range of skills to disentangle the multiple threads of the several cases that started with the discovery of the corpses at Waterloo Station. Soon it becomes clear that the main problem is not simply to discover the perpetrators but to bring the guilty to justice, especially when those evildoers have wealth and power, but the team are determined that justice will be done.

The Corpses at Waterloo is the fourth book in the series featuring the team at Mayfair 100. It stands alone, with an introduction and skilfully inserted information that provides the backstory. It is a delightful series in which the characters and their relationships continue to develop. The characters are warm, engaging and clearly defined, united in their determination to right wrongs and serve justice; and the plot is complex but coherent. The historical details are fascinating, bringing together fictional and real-life characters and emphasising the terrible effects of the First World War, especially on the poor and powerless. The Corpses at Waterloo is a page turner, which I thoroughly recommend.
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Reviewer: Carol Westron

Lynn Brittney has fifty-two plays, books (fiction and non-fiction), and foreign translations of her books registered for PLR. She began novel-writing in 2005 and the first book in her Nathan Fox Elizabethan spy trilogy was nominated for the Waterstones and Brandford Boase Prize. In 2016 she created the Mayfair 100 series, set in WW1. The first two books – Murder in Belgravia and A Death in Chelsea have been published in the UK by Mirror Books.

www.lynnbrittney.com


Carol Westron
is a successful author and a Creative Writing teacher.  Her crime novels are set both in contemporary and Victorian times.  Her first book The Terminal Velocity of Cats was published in 2013. Since then, she has since written 6 further mysteries. Carol recently gave an interview to Mystery People. To read the interview click on the link below. 

https://promotingcrime.blogspot.co.uk/2017/11/carol-westron.html www.carolwestron.com
http://carolwestron.blogspot.co.uk/

To read a review of Carol latest book click on the title
The Curse of the Concrete Griffin 

‘Red Dirt Girl’ by C.A. Lupton

Published by The Book Guild,
28 January 2022.
ISBN: 978-1-91391387-8 (PB)

 It would be inhuman…not to intervene to prevent weakness and disease...

Red Dirt Girl is set in a future world that is arid and, in many places, uninhabitable.  Where human beings can survive, space is precious and birth control essential.  This has enabled a company called Gencom to create The Program, to ensure that only strong, healthy babies are born.  It also, of course, confers on the corporation unprecedented power over peoples’ lives.  Being accepted onto the Program confers financial and social benefits, it has also led to a dangerously divided society.  As biological transformations advance and laborious tasks are completed by robots, society is rapidly degenerating, and resistance groups are springing up.

Detective Cooper-Clarke is considering his own application to the Program.  Coop, as he is known, is an old-fashioned cop, hooked on Sherlock Holmes and working on a contract basis within a police service that, along with the rest of society, is becoming increasingly dominated by technology.  He knows that his role within a legal system that has succumbed to utopian groupthink is tenuous and that he might soon be replaced by a “lawbot.”  Coop’s “journey” through the Program is accelerating just as his ever-decreasing caseload is coming to an end when his boss asks him to investigate the death of a young woman.  The girl was initially believed to have committed suicide, but the body appears to have been staged and other inexplicable facts relating to her demise have surfaced.  As Coop delves deeper into the unexplained death, he finally gets a case that resembles one that might have come straight out of the pages of the “consulting detective” himself.

This novel is full of surprises as it blends science fiction with crime fiction in a world that it is all too easy to imagine in the twenty-first century.  Alongside the fascinating character of Coop himself are a group of young people trying to make sense of the techno maniacal world in which they find themselves.  The protagonists are all engaging and depicted with empathy. The plot is sharp and the writing crisp as the narrative explores the implications of post-modern eugenics and the individuals that variously accept, question and, in some cases, violently oppose the new order.

Red Dirt Girl is engaging, gripping and kept me guessing until the end.  The world C.A. Lupton has created depicts is uncomfortably recognisable and perhaps that’s why I particularly loved the nod to Conan-Doyle.  Coop’s character is one of several that provide a welcome panacea to the algorithmic approach to solving just about everything, including crime. Thoroughly enjoyable and highly recommended.
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Reviewer: Dot Marshall-Gent

C. A. Lupton spent her working life in the health sciences, the first 30 years in a university research unit and the final ten years as a research commissioner for the then English Department of Health. She is now retired and lives on the South coast with her family and no other animals. Carol has long admired the potential of grounded or ‘social’ sci fi to highlight, if not presage, some of the major threats and opportunities open to the human species. Red Dirt Girl, her debut novel, explores the ‘real and present danger’ presented by human genetic engineering.

Dot Marshall-Gent worked in the emergency services for twenty years first as a police officer, then as a paramedic and finally as a fire control officer before graduating from King’s College, London as a teacher of English in her mid-forties.  She completed a M.A. in Special and Inclusive Education at the Institute of Education, London and now teaches part-time and writes mainly about educational issues.  Dot sings jazz and country music and plays guitar, banjo and piano as well as being addicted to reading mystery and crime fiction.