Published by Bookouture,
12 March 2020.
Eve Mallow, divorced, mother of grown-up twins, moved
from London some years ago to the Suffolk village of Saxford St Peter. She is a
freelance obituary writer, who seeks to understand the dead from those,
friends, family, and others, who knew them best. In order to remain solvent,
she works in a little teashop in the village for her friend Viv who runs it,
and also encourages her in her greatly-loved pastime of people watching.
One teatime, two ladies are having
one of the teashop’s splendid teas, replete with tiny sandwiches and delicious
cakes. Eve recognises one of them, Betty Foley, who is excitedly telling her
friend that her son Ashton will be coming to stay with her. Ashton,
charismatic, manipulative, is now a highly successful interior designer who
specialises in the harmonious siting of indoor plants of all sizes and types in
the homes of the rich and famous. But so Viv later tells Eve, as a boy he was
something of a tearaway who was even sent to a young offenders’ institute for
dealing in cannabis. Now, however, he is to beautify the house of a local
celebrity, a rap star called Billy Tozer, although Viv thinks the visit will
not be all Betty hopes: ‘He’s trouble,’ she says. And when Betty is
unexpectedly called abroad to New Zealand to care for an aunt who is suddenly
struck down by illness, Ashton does indeed cause trouble, at first when alive
and then when he is, as readers will not be surprised to learn, found dead,
shot through the head in one of the beautiful woods that surround Saxford.
There are a number of lively
characters who feature in this tale starting with Eve’s friend Viv who runs the
teashop; she is a great cook but desperately needs Eve’s management skills.
Moira is the local shopkeeper, an inveterate gossip who knows all about
everyone and what she doesn’t know she is determined to find out. Betty’s new
partner, the quiet unassuming Howard Green doesn’t trust Ashton one bit and the
feelings are mutual. There is the icy Marina Shaw, Ashton’s business partner,
Tina and Carl Adcock, Ashton’s former teachers, Justin Ingram who attacks
Ashton, and Justin’s anxious wife, Amber, solicitor Russell Rathbone who guided
Ashton back into the straight and narrow after his boyhood brush with the law,
and the kindly vicar Jim Thackeray. Could any of them have done this dreadful
deed? And when there is another death, the question is again. who is
responsible and why?
In this second of this author’s Eve
Mallow village mysteries with its beautiful descriptions of the wooded Suffolk
landscape, the author remains true to the conventions of so-called cosy
mysteries which will delight the many readers who prefer the gentler form of
crime fiction where there is emphasis on character, plot and setting.
Reviewer: Radmila May
Clare Chase writes fast-paced romantic mysteries, using London and Cambridge as settings. Her influences include JD Robb, Janet Evanovich, Mary Stewart and Sue Grafton. Brought up in the Midlands, she went on to read English at London University, then worked in book and author promotion in venues as diverse as schools, pubs and prisons. More recently she’s exercised her creative writing muscles in the world of PR and worked for the University of Cambridge. Her current day job is at the Royal Society of Chemistry. Her writing is inspired by what makes people tick, and how strong emotions can occasionally turn everyday incidents into the stuff of crime novels. It would be impossible not to mix these topics with romance and relationships; they’re central to life and drive all forms of drama. When she’s not reading or writing, Clare enjoys drawing, cooking and trips to the Lake District. Closer to home she loves wandering round the pubs, restaurants and galleries of Cambridge where she lives with her husband and two teenage daughters.Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.