Head of Zeus,
3 September 2020.
ISBN: 978-1-8389340-6 (HB)
When is a crime novel not a crime novel? The easy answer is when there
isn’t really a crime. But what if a crime does take place but the perpetrator
gets away with it? Then, of course, it comes down to what we mean by getting
away with it. So really, there’s no easy answer.
Zoë Somerville’s debut novel
goes some way towards exploring this tricky issue, but you’ll have to decide
for yourself whether she offers a satisfying answer. She also does a great deal
more. This richly detailed novel explores complex relationships, the class
divide, how a community deals with natural disaster and a handful of other
issues, and weaves them into a story based around the catastrophic real-life
flood which devastated the north Norfolk coast in real life nearly half a
The narrative is carried
mainly by Verity, daughter of a well-to-do farmer close to the small coastal town
of Wells, and Arthur, who was evacuated to the farm during the war and has now
settled in the town with his ailing mother. Also in the foreground is Peter,
Verity’s brother, who resents having to rescue the farm from the depredations
caused by their father’s drink-sodden grief for their mother, who died in
tragic circumstances not long before the story begins.
Enter Jack, an American
airman based at an airfield not far away. He is a man of mystery; Arthur is an
aspiring journalist, and itches to expose what he sees as the nefarious
activities surrounding Jack’s inscrutable missions. What ensues is a tangle of
relationships, some romantic, some not, others only in the mind; and it all
comes to a head the night the flood causes havoc.
It’s a story full of
atmosphere and emotional undercurrents, set against a bleak but vividly
portrayed landscape. Every location stands out in three dimensions: the
beautiful but crumbling farmhouse, Arthur’s mother’s overcrowded shop, a
rundown shack in the woods which has greater significance than anyone imagines.
The attitudes and prejudices of the early 1950s also come across loud and
clear. And the author’s description of the flood itself is fascinating and
horrifying in equal parts.
The leading characters are
the kind you might have seen in the street half a century ago. Verity is
bright, sociable, desperate to escape from her narrow life but conscious of the
place she occupies in society. Arthur is left-wing, intelligent, optimistic,
perceptive. Peter is less clever, made petulant by resentment. Jack is an
enigma, but charming with it.
Whether their story adds up
to crime fiction is the proverbial sixty-four thousand dollar question. A crime
does take place, and there are hints of other less than straightforward doings.
And of course, the 1950s were a time when the atomic bomb was in everyone’s
minds; there’s a question mark over what exactly was going on at the American
airbase. One thing is certain: crime or
not, it’s quality writing
Reviewer: Lynne Patrick
Zoë Somerville is originally from Norfolk, She works as an English teacher. Having lived all over the world – Japan. France, Washington, she now lives in Bath with her family. Zoë began her debut novel, inspired by her home county Norfolk, on the Bath Spa Creative Writing MA in 2016. She is currently working on her second – a ghost story.
Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.