Published by Head of Zeus,
1st October 2020.
ISBN: 978-1-78954408-4 (HB)
It’s every mother’s nightmare. It seems like a perfectly ordinary
playdate with schoolfriend from a pleasant family in an enviable home – but
when it’s time for the child to come home, there’s no one there and they don’t
answer the phone. At first the police are all over it, but time passes and
there’s no ransom note, no sightings, not a scrap of evidence to suggest what
might have happened. So, the nightmare continues, the police lose interest, and
the parents are left in limbo.
But of course, these things
are never simple; there’s always more than one side to a story.
Alex Dahl explores this story
from four sides. Elise, the bereft mother, is slowly falling apart. Selma, a
newspaper journalist, is transfixed by the story and determined to get to the
bottom of it. Lucia, the abducted child, has her own version of events; so too
does Jacqueline, the abductor. It soon becomes clear that it will all end in
tears for someone.
If it wasn’t for a descent
into violence when the book is more than halfway through, Playdate would
be less a crime novel per se, and more a novel about the impact crime can have
on the people involved. The intertwined stories are fertile with detail about
locations in Norway and France, backstory which ultimately makes sense of it
all, and above all characters and family relationships. It’s easy to imagine
the everyday lives of everyone involved: Elise the airline stewardess, going
about her routine, smiling mechanically for the passengers, then returning to
her husband and son; Selma hunched over her laptop researching the names the
police have released, when she isn’t falling apart herself; Lucia, distraught
and confused; Jacqueline, trying to forge a life for herself.
Everyone has secrets, and
eventually they come out, and lead to the dramatic denouement. But through it
all, there’s a sense that the nightmare will never quite go away for anyone. In
Playdate, Alex Dahl has produced a highly competent debut novel, part
literary fiction, part tense thriller. It’s not an easy read, or a comfortable
one; but it is an enthralling story, richly drawn and thought-provoking.
Reviewer: Lynne Patrick
Alex Dahl was born in Oslo, Norway, and is half American, half Norwegian, fully Francophile, and London resident. Alex is the author of The Boy at the Door, published world-wide in 2018. She holds an MA in Creative Writing from Bath Spa University, as well as an MSc in Business Management. Alex loves to travel and has previously lived in Moscow, Paris, Stuttgart, Sandefjord, Switzerland and Bath. To learn more about Alex Dahl, please visit her on Twitter, Instagram and Facebook
Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.