Published by
Sphere,
4 August 2020.
ISBN: 978-0-75156742-7 (HB)
Jenny and Peter Cunningham died 15
years ago from gunshot wounds. When the
police arrived, their youngest daughter Rachel was missing. After a two-week search Rachel was found
lying on a highway. She had lost the
ability to speak and couldn’t remember what had happened, except that she believed
that she had been responsible for her parents’ deaths. At the time the circumstances of the Cunningham’s
violent end was difficult to piece together, but eventually it was concluded
that this was a murder-suicide perpetrated by Peter. When her ability to speak returned Rachel
immediately confessed that she had killed her mother and father - no one
believed her.
At the beginning of the
narrative, Rachel is 26, and living in “Newberry Regional Mental Health Center”.
When we first encounter her, she is
talking to a spider! Her sister Diana
and Aunt Charlotte no longer visit Rachel.
She has befriended Scotty, a fellow patient and she, in turn, has been
befriended by Scotty’s brother, a regular visitor. Trevor, who is studying journalism, has also
become interested in Rachel’s story and wants to write an article about her. She agrees and he begins to research the horrific
incident that Rachel has blacked out of her mind. When she takes a look at the police paperwork
surrounding the case, she learns something so shocking that she checks out of
the hospital and makes her way home.
Home is in a remote area of Michigan,
an idyllic setting where Charlotte and Diana now live together. When Rachel arrives at the lodge, she last
saw on the day her parents died, she begins to discover some uncomfortable
truths and it quickly transpires that her own life may be in danger.
The narrative is told from two first person viewpoints both written in the
present tense. Rachel’s contemporary
perspective opens the novel and this alternates with her mother’s account of
the historical events as they happen. The
clever dual perspective injects the narrative with increasingly quickening pace
as the mother and daughter plots move ever closer before colliding in the
denouement. The author’s use of language
is economical and punchy, perfectly suited to the action.
Characters are drawn with
pinpoint clarity and their complicated psychologies are described with chilling
and credible accuracy. The landscape becomes
a character in its own right as do the creatures that inhabit it. The interaction between the beautiful, wild
and hostile environment and the animals and humans who share it is as
devastating as it is fascinating.
The Wicked Sister is an exploration of terrifying psychopathic behaviour. Some scenes are depicted with visceral accuracy
which highlights the propensity for gratuitous cruelty which is, sadly, unique
to some human beings. Dionne creates tension
and terror in equal measure as her characters fight for survival in an
unforgiving world. This is scary
psychological thriller at its best and highly recommended.
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Reviewer: Dot Marshall-Gent
Karen Dionne is the internationally published author of Boiling Point, an environmental thriller about an erupting volcano, a missing researcher, and a radical scheme to end global warming. Karen is cofounder of the online writers community Backspace, and organizes the Backspace Writers Conferences held in New York City every year. She is a member of Sisters in Crime, Mystery Writers of America, the International Association of Media Tie-in Writers, and the International Thriller Writers, where she serves on the board of directors as Vice President, Technology. Karen has been honored by the Michigan Humanities Council as a Humanities Scholar for her body of work as an author, writer, and as co-founder of Backspace. Karen blogs at The Huffington Post, and has written about the publishing industry from an authors’ perspective for DailyFinance. She also reviews for The New York Journal of Books.
Dot Marshall-Gent worked in the emergency services for twenty years first as a police officer, then as a paramedic and finally as a fire control officer before graduating from King’s College, London as a teacher of English in her mid-forties. She completed a M.A. in Special and Inclusive Education at the Institute of Education, London and now teaches part-time and writes mainly about educational issues. Dot sings jazz and country music and plays guitar, banjo and piano as well as being addicted to reading mystery and crime fiction.