Published by Bookouture,
7 December 2020.
ISBN: 978-1-80019-003-0 (PB)
It is midwinter and obituary writer Eve Mallow is
holding open house in her home, Elizabeth’s Cottage, in the Suffolk village of
Saxford St Peter, to celebrate the history of her house and its part in village
history. This is a bi-annual event during which she escorts a number of
visitors around her ancient house. Some of the visitors are long-standing
residents of the village, like Eve’s friend Viv at whose teashop Eve helps out,
but others are newcomers. One of these is Harry Tennant who has recently bought
a converted mill (the Old Mill) for an enormous sum; he is the subject of much
curiosity in the village, particularly to Eve who speculates as to what he does
for a living. He tells her that he is a ‘consultant, whom people consult about
a wide range of problems’ but that tells Eve far too little to satisfy her
curiosity. But after Christmas he will be holding open house in his house;
then, Eve expects, she can find out more about him.
But the opportunity never arrives
because, two days before the planned event, there is a dreadful fire at the Old
Mill and Harry dies in the conflagration. Then Eve’s mysterious friend Robin
Yardley, now a gardener but recently a police officer, tells Eve confidentially
that the police think that the fire was not an accident. Therefore, Harry’s
death is murder, and Eve’s sleuthing instincts are immediately aroused. Then
she is contacted by Portia Coldwell from Icon
magazine who tells her that Harry wrote an agony aunt column under the name of
Pippa Longford for a rival magazine – this accounts for the way in which Harry
was trying to get everyone he encountered to tell him their secrets, something
that with his charm was much too easy.
Eve’s enquiries reveal a whole host
of people in Saxford whose inner vulnerabilities Harry had exposed and
exploited for his own purposes. In addition, there are those who would benefit from
his death in other ways. Eve’s curiosity allied with her sympathetic manner
enables her to wander around the village, with her faithful dachshund Gus and
from what she can deduce with her observational skills she does arrive at the
correct conclusion although at considerable danger to herself.
Cosy crime is a category of crime
fiction that, in the UK, is often disregarded but wrongly so. It has always
been quietly successful and popular and has a wide readership. Now, however, it
seems that the standing of the genre is growing: the current issue of the Crime
Writers’ Association house magazine Red
Herrings has an appreciation of the crime writer Patricia Wentworth whose
Miss Silver mysteries, who solved numerous murders while knitting, entertained
millions of readers. And over Christmas 2020 the best-selling work of fiction
was not some fiery polemic centred on a current issue but the humorous and very
gentle story, The Thursday Club Murders,
set in a retirement village where a group of 80-year-olds apply their knowledge
and experience to solving murders. Mystery
at the Old Mill very definitely falls within that category and will have a
wide appeal.
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Reviewer: Radmila May
Clare Chase writes fast-paced romantic mysteries, using London and Cambridge as settings. Her influences include JD Robb, Janet Evanovich, Mary Stewart and Sue Grafton. Brought up in the Midlands, she went on to read English at London University, then worked in book and author promotion in venues as diverse as schools, pubs and prisons. More recently she’s exercised her creative writing muscles in the world of PR, and worked for the University of Cambridge. Her current day job is at the Royal Society of Chemistry.
Her writing is inspired by what makes people tick, and how strong emotions can occasionally turn everyday incidents into the stuff of crime novels. It would be impossible not to mix these topics with romance and relationships; they’re central to life and drive all forms of drama. When she’s not reading or writing, Clare enjoys drawing, cooking and trips to the Lake District. Closer to home she loves wandering round the pubs, restaurants and galleries of Cambridge where she lives with her husband and two teenage daughters.
Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.
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