As a founder member of Mystery Women in 1997, promoting Crime Fiction has always been my passion.
Following the closure of Mystery Women, a new group was formed on 30th January 2012 promoting crime fiction.
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by Sphere, 23 June 2016. ISBN 978-0-7515-6207-1 (TPB)
The well-paced plot of this
debut police procedural by Mark Hardie introduces us to the first in a series
featuring DS Frank Pearson and DC Catherine (Cat) Russell. Set against the
backdrop of a bleak Essex seaside town, it explores the themes of corruption
and murder within the police force and the failure of our social care system over
the children it is supposed to be protecting.
Told from multiple viewpoints, but largely DS Pearson and DC
Russell, the main story focuses on the investigation of the burned body of Sean
Carragher, a policeman who is under internal investigation for fraud and
misconduct. Alongside of this is Donna's story. Donna believes her friend,
Alicia, who died the previous year, was murdered and is trying to get the case
reopened. As the investigation explores the true character of the murdered policeman
it becomes clear that any number of people had the motive to kill.
The book opens with the shocking scene of someone being set
on fire in a car on the sea front followed by the start of an investigation. It
is worth pointing out that although the story begins in such a grim way it is
not a book full of gratuitous horrific scenes.
Mark Hardie's clipped writing style gives the book great
pace and the matter of fact dialogue in the police station comes across as
totally credible. All of the characters are believable but all have their
flaws, from the DS struggling to come to terms with the possibility of prostate
cancer and the DC under suspicion of being involved in corruption to the
isolated and disturbed character to Donna, a sixteen year old in her first year
of living outside of care and apparently abandoned by the system.
With the twists and turns of the various plots and subplots
this is one of those books that you have to concentrate on. The addition of
timeline shifts between the investigation and the events that led up to the
fire (including scenes told from the viewpoint of the now dead man) may not
appeal to everyone but is an interesting technique for layering the reveal of
information to the reader rather than one lengthy explanation at the end. A
thoroughly enjoyable read.
Reviewer Christine Hammacott
Mark Hardie began writing full time after completely losing his
eyesight in 2002. He has completed a creative writing course and an advanced
creative writing course at the Open University, both with distinction.
Christine Hammacott lives near Southampton and runs
her own design consultancy. She started her career working in publishing as a
book designer and now creates covers for indie-authors. She writes page-turning
fiction that deals with the psychological effects of crime. Her debut novel The Taste of Ash was published in 2015.