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Published by FeedARead
Publishing, 14 June 2017. ISNB: 978-1-78876282-3 (PB)
Kate Lawrence has a gift . . . but it is more of a
curse than a gift and one she would be happy to be without. She can sense the
presence of death; not all the deaths that have ever happened, but the deaths
of people with whom she has a connection. She had known, for instance when her
unborn baby died in the womb, something which contributed to the breakdown of
her marriage to her husband Peter. She had known, without being told, that her
mother had died. And she had known of the death of her boss at the moment of his
suicide in a police cell. She had been being questioned by police in connection
with his fraudulent activities with which she was totally unconnected, but all
the same it had been a harrowing experience, so much so that she decides to
seek refuge with her cousin Sylvia and her partner Michael in the Pembrokeshire
mansion of Llys-y-Garn. Sylvia has an immensely warm and loving temperament and
Kate hopes that, with Sylvia, she will gain peace of mind.
Sylvia and Michael
are in the process of restoring Llys-y-Garn and turning it into a venue for
festivals and so forth, all with the rather hippy tinge about which Sylvia
enthuses while Michael, a talented wood sculptor, takes a more practical view.
But even here, because Llyn-y-Garn although outwardly Victorian has foundations
which go back further, Kate can sense death. And sure enough human remains are
found, decades, even centuries, old.
Meanwhile, a collection
of New Age travellers appears, led by the charismatic Al to whom Kate is
attracted. In fact, many of the travellers are skilled craftsmen who are happy
to assist Michael and Sylvia in the renovation of Lyn-y-Garn and all seems to
be going well. And then Sylvia’s son
Christian appears. He is deeply malevolent and devotes himself to trying to
destroy everything that Sylvia and Michael are doing. In spite of all this,
Sylvia adores her son and seeks to excuse his wrongdoing. This results in a train
of events which ends in tragedy.
This is not so much a
mystery as a powerfully rendered novel in the Gothic tradition.
Thorne Moore grew up in Luton, near London, but
has lived in Pembrokeshire in West Wales for the last 35 years. She writes
psychological crime, or domestic noir, with an historical twist, focusing on
the cause and consequences of crimes rather than on the details of the crimes
themselves. A Time For Silence, set in Pembrokeshire, was published by
Honno in 2012. It was followed by Motherlove and The Unravelling,
set partly in a fictional version of Luton. Shadows, published by
Endeavour in 2017, is set in an old house in Pembrokeshire, and is paired with Long
Shadows, which explained the history and mysteries of the same house from
Medieval times to the late Victorian period.
born in the U.S. but has lived in the U.K. since she was seven apart from seven
years in The Hague. She read law at university but did not go into practice.
Instead she worked for many years for a firm of law publishers and still does occasional
work for them including taking part in a substantial revision and updating of
her late husband’s legal practitioners’ work on Criminal Evidence published
late 2015. She has also contributed short stories with a distinctly criminal
flavour to two of the Oxford Stories anthologies published by Oxpens Press – a
third story is to be published shortly in another Oxford Stories anthology –
and is now concentrating on her own writing.