As a founder member of Mystery Women in 1997, promoting Crime Fiction has always been my passion.
Following the closure of Mystery Women, a new group was formed on 30th January 2012 promoting crime fiction.
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Published by Constable, 24 January 2019. ISBN: 978-1-47212745-7
What an exciting, exuberant read this is. I thought from
the back-cover blurb there might be a bit too much explicit violence for me,
but I didn’t find this – I coped easily; the horror wasn’t dwelt on and it was
never a focus. The focus of this book was the characters and they carried me
along; at breakneck speed towards the end. A detective with a very clever mind
who won’t follow procedure and doesn’t take the same view as other people
sounds like a trope we’re familiar with – but you haven’t met Washington Poe.
He’s very different, and very
engaging too. OK, so if you were nit-picking you might say he behaves a little
bit too outrageously for plausibility, but hey, this is fiction, and fiction
entertains and illuminates through larger-than-life characters in extraordinary
situations. And we always root for the heroic protagonist who, no matter what
the pressure, does what he thinks is right.
is Poe the only stand-out character; he finds himself working with Tilly
Bradshaw, a young woman with very little experience of social situations but
who turns out to be loyal and dedicated, an absolute jewel – as well as a
wizard at maths, statistics and computers. Her literalism and social ineptitude
make for some amusing as well as moving situations: humour and pathos filter
through the book, lightening the story and elevating The Puppet Show beyond simply an exciting crime story. Both Poe and
Tilly work not for a local constabulary or CID but for the Serious Crime Analysis
Section, an organisation within the National Crime Agency that cleverly gives Poe
just a little space for freedom of action which he pushes to the limits and
setting of Cumbria – and often the truly wild parts that people will be less
familiar with than the tourist honeypots of the region – complements the
freshness of the novel and adds to its interest. I found myself wanting to
visit and explore very soon. Preferably with a dog like Washington Poe’s Edgar
you want to know about the story. Does it deliver? Oh yes. While the play
between the main characters and the intriguing politics between the various
authorities both take a significant part, the focus, just as it should, swings
ever more towards identifying the Immolation Man and anticipating his next murderous
moves. There are twists and turns aplenty – and even after we know the killer’s
identity the novel doesn’t quickly close, but explores other, wider issues in a
fascinating way that allows Washington Poe to achieve his full potential, and the
reader full satisfaction. Not a novel to miss.
Reviewer: Dea Parkin
M. W. Craven was born in Carlisle but grew up in Newcastle. He joined the
army at sixteen, leaving ten years later to complete a social work degree. Seventeen
years after taking up a probation officer role in Cumbria, at the rank of
assistant chief officer, he became a full-time author. The Puppet Show, the first in a two-book deal he signed with the Little
Brown imprint, Constable in 2017, was released in hardback in June 2018.
DeaParkin is an editor
with her consultancy Fiction Feedback and is also Secretary of the Crime
Writers’ Association. She writes poetry and occasionally re-engages with The
Novel. When she isn't editing, managing or writing she is usually to be found on
the tennis court – or following the international tour at home on TV. Usually
with several books on the go, she entertains a penchant for crime fiction,
history, and novels with a mystical edge. She is engaged in a continual
struggle to find space for bookshelves and time for her friends and her cat.