Published by Lion Fiction,
21 September 2018.
ISBN: 978-1-78264249-7 (PB)
21 September 2018.
ISBN: 978-1-78264249-7 (PB)
This is the fourth outing for Fiona Veitch Smith’s
intrepid 1920s heroine, Poppy Danby, and is an absolute treat. Smooth and
assured in both its structure and style – the Poppy novels have progressed from
good to better as you’d hope for in any series by a new author – The Cairo Brief sees journalist Poppy
investigate the strange affair of Nefertiti’s death mask.
The
novel begins intriguingly with a disturbing tale from a tomb in El-Amarna in 1914;
a nefarious if brave adventure and a horrific discovery. It sets the scene
nicely, although we have to wait a satisfyingly long while for its full significance
to hit home. Sarcophagi, scary dark tunnels and sinister shadows in that first
chapter build the tension and the excitement, and while the slightly less
exotic surroundings of London and a country estate in the winter of 1921 are
the settings for the rest of the story, we never quite lose that pervading sense
of something mysterious, something other. I appreciated that frisson lending
depth and colour to the novel, and suspect other Fiona Veitch Smith fans will
too.
Poppy,
together with her editor Rollo and the paper’s photographer Daniel, with whom
Poppy is conducting an on-off love affair, are invited to an auction for the death
mask treasure at the home of slightly dodgy Egyptologist Sir James Maddox, and to
a seance there. This is to be attended by none other than Howard Carter, the
famous archaeologist (though at that stage not as famous as was to become.) Sir
Arthur Conan Doyle is to be present too, and while the seance isn’t Poppy’s
thing at all – the wartime death of her beloved brother persuades her against
such things, rather than drawing her in – Rollo persuades her she needs to
attend. And everything goes wrong. There’s an unpleasant accident with a gun,
foreshadowing worse; Poppy is stalked in the maze at dawn; and as for the
seance…
A
fascinating cast of characters, real and imagined, throw up a multitude of
political and personal motives, while more than one character hides metaphorically
behind a mask – or a more workaday fedora. Nefertiti’s magnificent death mask
(imaginary, sadly, so far as we know) shines at the heart of the affair and
Poppy must uncover what is hidden without herself falling foul of any ancient Egyptian
curse – or more to the point, the aim of any modern murderer to whom she steps
too close.
Atmosphere
is as important as the slick plot and engaging story in this novel and it added
hugely to my enjoyment. The misty gardens at Winterton Hall, the British Museum
and surrounding streets in snow, all underpinned by that first spooky scene in
the newly discovered tomb provoke delicious chills and put the reader very
firmly in Poppy’s un-sensible shoes. A delight from start to a rewarding
finish.
------
Reviewer: Dea Parkin
Formerly
a journalist, Fiona Veitch Smith has written books, theatre plays and screenplays. She is best known
though for her novels and children's picture books. Her 'Young David
Picturebook' series (illustrated by Amy Barnes Warmington) are based on the Biblical
character of King David when he was a young boy. The Jazz Files is the first novel in her mystery series, Poppy
Denby Investigates, and is set in the 1920s. Her standalone novel, 'The Peace
Garden', is a romantic thriller set in England and South Africa. She lives with
her husband, daughter and two dogs in Newcastle upon Tyne where she lectures in
media and scriptwriting at the local universities. She has a passion for
cheesecake, Pilates and playing the clarinet - preferably not at the same time!
DeaParkin is an editor with her consultancy Fiction Feedback
and is also Secretary of the Crime Writers’ Association. She writes poetry and
occasionally
re-engages with The Novel. When she isn't editing, managing or writing she is usually to be found on the tennis court – or following the international tour at home on TV. Usually with several books on the go, she entertains a penchant for crime fiction, history, and novels with a mystical edge. She is engaged in a continual struggle to find space for bookshelves and time for her friends and her cat.
re-engages with The Novel. When she isn't editing, managing or writing she is usually to be found on the tennis court – or following the international tour at home on TV. Usually with several books on the go, she entertains a penchant for crime fiction, history, and novels with a mystical edge. She is engaged in a continual struggle to find space for bookshelves and time for her friends and her cat.
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