Published by Lion Hudson,
18 May 2018.
ISBN: 978 1 78264 264 0 (PB)
18 May 2018.
ISBN: 978 1 78264 264 0 (PB)
This is the third in the author’s series set in the
fictitious town of Grambling in the U.S. state of Georgia featuring local
reporter Branigan Powers and her lover Detective Chester Scovey. A report has
come into the local paper of a clown being seen in the woods trying to lure a
child into the woods. The report is not taken very seriously by either the
paper or the police who have already been told, and the investigation is
somewhat half-hearted. Neither is a report of a second clown also approaching a
child since neither attempt was successful. Branigan is more interested in the
news about her aunt who has been diagnosed with a serious medical condition and
the imminent arrival of her two cousins, actress Jimmie Jean and school
counsellor Isabella. Jimmie Jean lands the lead in a musical being put on by
the local theatre company – Annie Get Your Gun – and Branigan is concentrating
on her family. But then a child goes missing, a young boy who with his family
has been living in a tent city established by a number of homeless people in
the woods and the reports of beckoning clowns are taken more seriously. And
there is someone else who is deeply concerned by the stories and that is the
homeless Malachi who is now living in a tent city in the woods and, after his
experiences as U.S. soldier in Kuwait, is suffering from PTSD particularly by
his inability to rescue a young Bedouin boy in that conflict.
The missing child cannot be found and concerns for him are increasing. Meanwhile, Branigan is unsettled to hear that Jimmie Jean’s marriage (to Branigan’s own first love) Isabella has not only been stalked by someone but that someone has followed her to Grambling and landed the male lead in the musical. And, because the person who abducted the missing child is pretty certainly the person dressed as a clown who had been trying to lure children, attention switches to the theatre company quite a few of whom have aspects of their private lives that they would prefer not to be known about. And then a body dressed in clown clothes is discovered.
The missing child cannot be found and concerns for him are increasing. Meanwhile, Branigan is unsettled to hear that Jimmie Jean’s marriage (to Branigan’s own first love) Isabella has not only been stalked by someone but that someone has followed her to Grambling and landed the male lead in the musical. And, because the person who abducted the missing child is pretty certainly the person dressed as a clown who had been trying to lure children, attention switches to the theatre company quite a few of whom have aspects of their private lives that they would prefer not to be known about. And then a body dressed in clown clothes is discovered.
This is a lively,
well-written story in the cosy genre with a large cast of likeable characters
and a strong portrayal of a typical American small town in the South where the
various churches – Methodist, Baptist, Presbyterian – play a leading role in the
community, supplying effective social support to those in need for whom
official care seems either not to exist or to be inadequate. I was surprised
that the response to the first reports of beckoning clown were not taken more seriously
but perhaps the U.S. has not yet uncovered its very own Jimmy Savile.
------
Reviewer: Radmila May
Deb Richardson-Moore was a reporter for "The Greenville
(SC) News," for 27 years, winning three national writing awards and
routine recognition from the South Carolina Press Association. She then took
over the religion beat at "The News" and enrolled in a nearby
seminary to learn more about it. Her life was never the same. She left the
newspaper and earned a Master of Divinity degree. Because jobs for clergywomen
were scarce in her own Baptist denomination, she accepted a job as pastor of
the non-denominational Triune Mercy Center, a crumbling, inner-city mission
church to the homeless.
Radmila May was
born in the U.S. but has lived in the U.K. since she was seven apart from seven
years in The Hague. She read law at university but did not go into practice.
Instead she worked for many years for a firm of law publishers and still does occasional
work for them including taking part in a substantial revision and updating of
her late husband’s legal practitioners’ work on Criminal Evidence published
late 2015. She has also contributed short stories with a distinctly criminal
flavour to two of the Oxford Stories anthologies published by Oxpens Press – a
third story is to be published shortly in another Oxford Stories anthology –
and is now concentrating on her own writing.
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