31 October
2013.
ISBN: 978-1-4091-4271-3
The central character of Art of
Deception is Dr Kate Hanson, a forensic psychologist who juggles a busy
lifestyle as a divorced woman caring for her twelve-year-old daughter Maisie; a
university lecturer; and a member of Birmingham Police's Unsolved Crimes Unit.
The body of a young man
who went missing twenty years ago is discovered under the floorboards of a
deserted lake house in Woodgate
Country Park,
an area that is notorious for drug dealers and sexual offenders. The dead boy
is identified as Nathan Troy, a nineteen-year-old art student. As Kate and her
colleagues investigate Nathan's death, fears arise that the body had been
discovered and the damaged floor relaid. Another teenage boy has gone missing
and there is good reason to fear he has come to harm. Has Nathan's killer
murdered again after twenty years? And, if so, has the murderer been dormant
for that length of time or are there other victims in the Country Park?
Everyone that Kate
questions about Nathan offers her a different viewpoint of the young man. Was
he the decent, caring, moral person that his parents describe? Or was he a drug
user, out for what he can get, as some of his contemporaries claim? Where did
Nathan disappear to on the day he was supposed to accompany his father to London to show him some
art galleries? Was that the day he died, despite a witness who claimed to have
seen him some days later?
Kate has many questions
about Nathan's life and death and instinct tells her that the answers can be
found in the art department, where she discovers more contradictions,
corruption and many dysfunctional relationships that have been festering for
decades. As more deaths occur, fear mounts for the safety of other young people
whom the police find themselves unable to protect, and Kate realises that her
own life and reputation are in danger.
Art of Deception is a
well written, intriguing book that maintains the tension and interest throughout,
despite the large cast of characters and the complex nature of the crimes. Kate
and her police colleagues are likeable individuals, who form a good working
team, and the relationships between them are especially well drawn,
encompassing both disagreements about approach and procedure and the underlying
affection and respect they feel for each other. However, I did wish that Kate
(who spends a lot of time warning her daughter about staying safe) was not
quite so ready to frequently put herself in harm's way
The underlying themes of
perception and deception are carried through the book, subtly and consistently,
until it reaches a logical and satisfying conclusion. I thoroughly enjoyed this
book and would definitely recommend it.
------
Reviewer: Carol Westron
Carol Westron is a successful short story
writer and a Creative Writing teacher.
She is the moderator for the cosy/historical crime panel, The Deadly
Dames. Her crime novels are set both in
contemporary and Victorian times. The
Terminal Velocity of Cats is the first in her Scene of Crimes novels,
published July 2013
http://www.carolwestron.com/
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