29 June 2020.
ISBN: 978-1-3808-600-8 (PB)
This is the fourth in the series featuring the
genealogical researcher Esme Quentin and is set in North Devon where Esme is now
staying in a rented cottage while she decides whether or not to move
permanently to Devon. Esme has a commission to research the history of an old
abandoned semi-derelict mill, the Temperance Mill, whose owner, Anna Brannock,
has ambitious plans to redevelop it, installing workshops and perhaps even
generating electricity. Anna believes that Esme’s research could assist in
gaining a lottery grant for redevelopment. However, Anna’s husband Drew thinks
that Anna’s plans are over-ambitious and is trying to dissuade her.
But Esme’s activities are not only
connected with her genealogical researches into Temperance Mill. Anna’s friend,
Maddy Henderson, a photographer with a passion for the restoration of old
photographs, is also in the process of taking on her late father’s business of
furniture restoration, particularly small-scale items which are highly
attractive to purchasers which she sells from a stall in the local market. Esme
is assisting Maddy in this venture and it is while she is on the way to join
Maddy that she is accosted by Sean Carlton, a private investigator, who is trying
to trace a woman called Ellen Tucker who had lived 24 years ago, not at
Temperance Mill, but at the nearby Temperance Cottage. Neither Esme nor Maddy
know anything about Ellen nor about any rumours about witchcraft and Anna would
only have been a child at the time. Maddy suggests that Anna’s husband Drew,
being rather older than his wife, might know rather more but Drew, surly by
nature, rebuffs enquiries. Later Esme wanders along to Temperance Cottage which
is also abandoned but while she is there an old man shouts at her and throws
stones. She later learns that he is Joseph Brannock, grandfather to Drew and
his brother Alec. Something very odd is going on connected with enquiries into
the mysterious Ellen Tucker; a lot of people don’t seem to want Esme or Maddy
to find out what happened to her. Ancient stories about witchcraft begin to
surface going back not just to the famous Bideford witchcraft trials in the
seventeenth century but later episodes connected with the Temperance Mill in
the nineteenth century and even years later. But are they connected with the
disappearance of Ellen Tucker and the death of Sean Carlton, found dead in his
car in a nearby river?
This story has a very complex plot through
which the author, with her highly impressive knowledge of the methods of
genealogical research, using a wide array of sources, including early Ordnance
Survey maps, even earlier Tithe Maps, and long-ago newspaper archives, threads
her way with meticulous care. Recommended.
Reviewer: Radmila May
Wendy Percival was born in the West Midlands and grew up in rural Worcestershire. After training as a primary school teacher, she moved to North Devon to take up her first teaching post and remained in teaching for 20 years. An impulse buy of Writing Magazine prompting her to start writing seriously. She won the magazine's 2002 Summer Ghost Story Competition and had a short story published before focusing on full length fiction. The time honoured ‘box of old documents’ in the attic stirred her interest in genealogy. When she began researching her Shropshire roots she realised how little most of us know about our family history. This became the inspiration behind the first Esme Quentin novel, Blood-Tied. Wendy continues to be intrigued by genealogy, its mysteries and family secrets and writes about this in her family history blog.
Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.
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