Translated by Laurie Thompson
Published by Knopf,
July 2013.
ISBN: 978-0-307-96122-8
In an Afterward, the author states that he generally writes his stories based on a truth. In this case the true story is extremely fragmentary, and consequently is “therefore based on the little we know, and all that we don’t know.” It is the story of a poor young Swedish woman, Hanna Renstrom, who left her homeland in 1905 as a ship’s cook and jumped ship on what was then Portuguese East Africa (now Mozambique). She was married on board to the third mate, who died shortly later. She rented a room in what she thought was a hotel, but really was a brothel, whose owner eventually fell in love with her and married her. That marriage also was short-lived, and Hanna inherited ownership of the very profitable brothel and her husband’s extensive wealth. Not bad for a young woman with no education, who presumably taught herself to read and spoke no Portuguese (but carried a Portuguese dictionary with her from Sweden).
So much for the introduction. What follows is an extraordinary tale of personal development which staggers the mind. From an impoverished, illiterate housemaid in Sweden, Hanna becomes a wise, sensitive person, keen on righting the wrongs of colonial Africa and the abuse of the indigenous black population, as unlikely as that may seem to the critical eye. But it gives Mr. Mankell the platform he requires to rail against the racism rampant throughout the colony and its white ruling class.
The story is told in simple language, recounting the times through Hanna’s innocent eyes. Certainly the author has intimate knowledge of the land about which he writes, since he divides the year between Africa and Sweden. The novel is an excellent example of Mr. Mankell’s ability not only to portray characters, but to fully develop them progressively.
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Reviewer: Ted Feit
Published by Knopf,
July 2013.
ISBN: 978-0-307-96122-8
In an Afterward, the author states that he generally writes his stories based on a truth. In this case the true story is extremely fragmentary, and consequently is “therefore based on the little we know, and all that we don’t know.” It is the story of a poor young Swedish woman, Hanna Renstrom, who left her homeland in 1905 as a ship’s cook and jumped ship on what was then Portuguese East Africa (now Mozambique). She was married on board to the third mate, who died shortly later. She rented a room in what she thought was a hotel, but really was a brothel, whose owner eventually fell in love with her and married her. That marriage also was short-lived, and Hanna inherited ownership of the very profitable brothel and her husband’s extensive wealth. Not bad for a young woman with no education, who presumably taught herself to read and spoke no Portuguese (but carried a Portuguese dictionary with her from Sweden).
So much for the introduction. What follows is an extraordinary tale of personal development which staggers the mind. From an impoverished, illiterate housemaid in Sweden, Hanna becomes a wise, sensitive person, keen on righting the wrongs of colonial Africa and the abuse of the indigenous black population, as unlikely as that may seem to the critical eye. But it gives Mr. Mankell the platform he requires to rail against the racism rampant throughout the colony and its white ruling class.
The story is told in simple language, recounting the times through Hanna’s innocent eyes. Certainly the author has intimate knowledge of the land about which he writes, since he divides the year between Africa and Sweden. The novel is an excellent example of Mr. Mankell’s ability not only to portray characters, but to fully develop them progressively.
------
Reviewer: Ted Feit
Henning Mankell was
born in Stockholm
1948. When he was two years old the family moved to Sveg where the father
worked as a court judge. The family lived in the court house in Sveg and young
Henning much enjoyed listening to the grown-ups discussions on crime and
punishment. At age 16 Henning Mankell dropped out of school in order to work as
a merchant seaman for two years before settling in Paris. After a year and a half in the French
capital, Henning returned to Sweden
and got a job as a stagehand in a Stockholm
theatre. In 1973, Mankell released his debut novel, Bergsprängaren (The
Rock Blast). In the same year, he went to Africa
for the first time. Ever since he has divided his time between Africa and Sweden and since 1986 he is the artistic leader
of Teatro Avenida in Maputo,
Mozambique.
Ted and Gloria Feit
live in Long Beach, NY,
a few miles outside New York City.
For 26 years, Gloria was the manager of a medium-sized litigation firm in
lower Manhattan.
Her husband, Ted, is an attorney and former stock analyst, publicist and
writer/editor for, over the years, several daily, weekly and monthly
publications. Having always been avid mystery readers, and since they're
now retired, they're able to indulge that passion. Their reviews appear
online as well as in three print publications in the UK and US. On a more personal
note: both having been widowed, Gloria and Ted have five children and nine
grandchildren between them.
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