Published by Sphere,
20 February 2020.
ISBN: 978-0-7515-7898-0 (HB)
20 February 2020.
ISBN: 978-0-7515-7898-0 (HB)
Grace is a teenager suffering from multiple, sometimes inexplicable diseases. Her sole carer is Meg, her devoted mother, who fights with every fibre for her daughter to get the treatment she deserves. The whole town of Ashford, Cornwall, is devoted to making life better for the little family, which has already suffered the death of a beloved son by drowning; his father, who was in charge of him at the time, is still mentally unstable after a severe breakdown. Closest both literally and figuratively to the women are their neighbours Cara, the nearest thing Grace has to a friend, and her mother.
One morning Cara pops
round to see her friend to find her wheelchair tipped on to the floor and empty.
There is no sign of her. The home is silent. Meg, with a hole in her head where
her face should be, is dead.
There’s a police
investigation, of course, but that isn’t what Elgar follows. She uses two
contrasting viewpoint characters to uncover the truth: Cara, clearly a lot
brighter than she thinks she is, and Jon, whose professional and personal life
are in tatters after an ill-judged article for the local paper. Interspersed
are extracts from the missing girl’s diary.
The second novel is
always supposed to be the hardest to write, but Elgar has triumphed, apart from
one thing which niggled throughout: she makes no attempt to make the names
sound Cornish, and Ashford is too well known to be used as a double. On very
much the plus side, she handles all the changes of tone with aplomb, and sets
up an exceptionally tense situation. I’m not going to spoil it by revealing the
denouement, except to say it’s as ambivalent as anyone could wish. I’ve had my
say: go and read Elgar’s own words and enjoy every moment of a very good book.
Highly recommended.
------
Reviewer Judith Cutler
Emily Elgar
was originally from the Cotswolds. She studied at Edinburgh University and then
spent a few happy years working as a travel writer in Southern Africa and as
Events Coordinator for an international NGO in New York and Istanbul. She has
now returned to London where she lives and works as a support worker for a
national charity supporting vulnerable women.
Judith Cutler
was born in the Black Country,
just outside Birmingham, later moving to the Birmingham suburb of Harborne.
Judith started writing while she was at the then Oldbury Grammar School,
winning the Critical Quarterly Short Story prize with the second story she
wrote. She subsequently read English at university. It was an attack of
chickenpox caught from her son that kick-started her writing career. One way of
dealing with the itch was to hold a pencil in one hand, a block of paper in the
other - and so she wrote her first novel. This eventually appeared in a much
revised version as Coming Alive, published by Severn House. Judith has seven
series. The first two featured amateur sleuth Sophie Rivers (10 books) and
Detective Sergeant Kate Power (6 Books). Then came Josie Wells, a middle-aged
woman with a quick tongue, and a love of good food, there are two books, The Food Detective and The Chinese Takeout. The Lina Townsend
books are set in the world of antiques and there are five books in this series.
There are two books featuring Tobias Campion set in the Regency period, and her
series featuring Chief Superintendent Fran Harman (6 books), and Jodie Welsh,
Rector’s wife and amateur sleuth. Her most recent series features a head
teacher. The first book is Head Start.
Judith has also written two standalone’s Scar Tissue and Staging Death.
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