Published by
Joffe Books,
5 May 2020.
ISBN: 978-1-78931350-5 (PB)
5 May 2020.
ISBN: 978-1-78931350-5 (PB)
‘Old detective
novels and a few slightly titillating thrillers you relate to because the
characters drink too much really doesn’t constitute a serious literary group.’
Ursula Smart
Ursula is the narrator of this comedic
murder mystery who is reluctantly accompanying her mother, Pandora, to a book
club retreat. The young woman’s dismissive
attitude to the group does little to endear her to the other members who will
join them at the country home Pandora has hired for their weekend jaunt. When they arrive at the “façade of tombstone
granite” belonging to Ambergris Towers the two women are met by an
effusive “Aunt Mirabelle.” In fact,
Mirabelle is Pandora’s childhood friend rather than a blood relative and she spends
much of the novel sparring with god-daughter Ursula and Pandora’s real sister,
Aunt Charlotte, who makes her appearance “on a raft of silk and velvet, fur and
largesse.” Also attending the weekend,
along with Mr Bojangles her beloved Shih Tzu, is Bridget Gutteridge. Bridget is “…book club’s number one fan,” and
the only person who expresses enthusiasm to engage in any literary pursuit. When she does suggest discussing a book she invariably
meets with reluctance or outright rejection.
The last club member to arrive is Joy Cowdale. Her entrance prompts Ursula to recollect that,
“From a very young age, I remember her leeching on our Christmases, birthdays,
everydays.” Ursula renamed her mother’s
friend Joyless and over time this has been reduced to the unkind, if not
undeserved moniker, “Less.” The shabby
mansion is served by a butler and housekeeper, Mr and Mrs Angel. This dour husband and wife team perform their
duties with detachment and disdain.
Finally, there are two other
characters who loom large in the story.
Ursula’s deceased father died in her arms when she was just thirteen. This trauma defines the narrator who routinely
suffers flashbacks of the event. His
presence haunts and mars the relationship between Ursula and her mother. The other noteworthy character is Madam Zizi,
a fortune teller called upon by Angel the butler to entertain the club members
on the second evening of the retreat.
The medium’s visit has far-reaching consequences as past, present and
future converge in a way no one could have predicted.
Victoria Dowd’s novel drips
with dark humour, gothic overtones and witty one-liners. Any of the characters could be the killer and
the lives, and deaths, of the dysfunctional women are both fascinating and
infuriating as they booze and bicker their way through the whodunnit. For all its familiarity as a locked-room
mystery the story is fresh and contemporary as it successfully combines comedy
and crime.
The Smart Woman’s Guide to
Murder is a debut novel that fizzes
with fun and intrigue. I can’t wait for
the sequel!
------
Reviewer: Dot Marshall-Gent
Victoria Dowd was born and raised in Yorkshire and after studying
at Cambridge, went on to be a successful criminal law barrister for many years. Victoria’s debut crime novel, The Smart
Woman’s Guide to Murder (published by Joffe Books) is the first part of a dark,
humorous crime series that is a modern take on the Golden Age of crime fiction
and authors such Agatha Christie, Ngaio Marsh and Josephine Tey.
She is an award-winning short story writer, winning the Gothic Fiction prize for short fiction 2019 by Go Gothic. Victoria has had short stories published in BTS Literary and Arts Annual, Gold Dust magazine and also by Stairwell books in their literary and arts journal Dream Catcher. Her work has also been selected for publication in an anthology entitled A Ghostly Challenge. She speaks at various literary festivals, most recently in Bath, and at various schools and book groups. Her historical fiction, The Painter of Siena, was published in 2016.
She is an award-winning short story writer, winning the Gothic Fiction prize for short fiction 2019 by Go Gothic. Victoria has had short stories published in BTS Literary and Arts Annual, Gold Dust magazine and also by Stairwell books in their literary and arts journal Dream Catcher. Her work has also been selected for publication in an anthology entitled A Ghostly Challenge. She speaks at various literary festivals, most recently in Bath, and at various schools and book groups. Her historical fiction, The Painter of Siena, was published in 2016.
Dot Marshall-Gent worked
in the emergency services for twenty years first as a police officer, then as a
paramedic and finally as a fire control officer before graduating from King’s
College, London as a teacher of English in her mid-forties. She completed
a M.A. in Special and Inclusive Education at the Institute of Education, London
and now teaches part-time and writes mainly about educational issues. Dot
sings jazz and country music and plays guitar, banjo and piano as well as being
addicted to reading mystery and crime fiction.
No comments:
Post a Comment