Published by Quercus,
12 June 2015.
ISBN
978-1-78206-424-4
It is the 1960’s and in A Book of
Scars, Detective Sergeant Cathal
Breen is recovering from a bullet wound to the shoulder. He is convalescing
with Helen Tozer, a former colleague in the Met, on her family’s farm in Devon.
Breen and Tozer don’t really know what they want from their relationship. Plus all is not well
as there is tension in the house. Alexandra Tozer, Helen’s younger sister was
murdered five years before, no one speaks about it. Helen has gone back to
being a farm girl and she is clearly jealous of Hibou, an ex addict who is
helping on the farm, as Helen’s father is getting closer to the girl who loves
the work. Breen is frustrated as he wants to get back to work, and he starts thinking
about the murder. Alexandra was found in a copse on the farm. When Breen is
given access to the files by a local policeman, he sees that the horrific
details of the murder were never explained to the family.
The book picks up pace as Breen returns to London and speaks to a friend in
the drugs squad detective, John Carmichael
Eventually Breen makes a connection between Alexandra and Lord Goodstone a
local man who was her secret lover. Goodstone had lived in Kenya at the time of
the Mau-Mau uprising. Another woman is abducted and Breen has just
twenty-four hours to save her.
William Shaw researches well, is a good writer and this third book in the
series is the best so far. There is a great sense of place and the
characterization is spot on. In Breen and Tozer, Shaw has created two complex
characters. They are both bruised and emotionally confused people. A Book of Scars is a good
read, using long-buried secrets personal and political.
------
Reviewer: Susan
Lord
William Shaw was born in Newton Abbot, Devon, and lived for
sixteen years in Hackney. For over twenty years he has written on popular
culture and sub-culture for various publications including the Observer and the
New York Times. He is the author of several non-fiction books including
Westsiders: Stories of the Boys in the
Hood, about a year spent with the young men of South Central Los Angeles,
and A Superhero For Hire, a
compilation of columns in the Observer Magazine. A Song from Dead Lips is the first in a trilogy of crime fiction
books set in London in 1968 - 1969. It is followed by A House of Knives, set in the weeks following A Song From Dead Lips. He lives in Brighton.
williamshaw.com
@william1shaw
@william1shaw
Sue Lord
originally studied Fine Art and Art History, her MA is in Creative Writing. She
now, revues, teaches, mentors and script doctors. She lives in central London and Cornwall.
Her favourite pastime is gardening.
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