Published by HQ,
2 March 2017.
ISBN: 978-0-0-820348-1(PB)
2 March 2017.
ISBN: 978-0-0-820348-1(PB)
Teenager Jenny Kramer went to a party with a boy whom she rather fancied and whom she thought felt the same about her. But when he spent much of the evening with another girl Jenny walked out of the party into the woods surrounding the house where the party was being held. Unknown to her she is followed by someone and is savagely raped. So traumatic was the rape which required surgery that all recollection of it and of her attacker is wiped from her mind, and the rapist has taken such precautions that there is no other evidence which can assist in identifying the perpetrator. Jenny’s parents, Charlotte and Tom, are devastated by what has happened to their daughter but their reactions are very different. Tom is obsessed with finding the rapist; Charlotte believes that the event can and should be ignored and that Jenny will then be able to put it all behind her. It is not until Jenny’s internal despair, which she cannot admit even to herself, leads her to attempt suicide that Charlotte accepts that Jenny cannot pretend that the rape never happened and that psychotherapy may help Jenny to overcome the trauma. So, they take Jenny to a psychotherapist, Alan Forrester, and he begins to lift the veil that Jenny’s unconscious has cast over events too painful to admit. The results are cataclysmic and have violent repercussions, not just for Tom and Charlotte – she in particular has kept hidden from everyone the truth about herself, past and present – but for many people in this small Connecticut town. In the end even Alan, through whom the story is told, and his wife and son are affected.
Readers
of much modern crime fiction will be aware of how much the genre has changed in
recent years, widening its coverage to embrace many aspects of life and society
which would not have been included within a traditional mystery novel, perhaps
not in any fiction. One area where the boundaries are very fluid is that of the
psychological novel. This well-written and thoroughly-researched novel with its
rounded and believable characters is well within this sphere concentrating much
more on the psychological aspects of the narrative than on more traditional and
mystery aspects of crime fiction. In this respect, it falls within the sphere
of domestic noir, another name for psychological suspense or ‘grip-lit.’
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Wendy Walker is a former family law attorney in Fairfield County, Connecticut who began writing while at home raising her three sons. She published two novels with St. Martin’s Press and edited multiple compilations for the Chicken Soup for the Soul series before writing her debut psychological thriller, All is Not Forgotten. Her second thriller, Emma In The Night, will be released August 8, 2017. Wendy earned her J. D., magna cum laude, at the Georgetown University Law Center where she was awarded the American Jurisprudence award for her performance in Contracts and Advanced Criminal Procedure. She received her undergraduate degree, magna cum laude, from Brown University and attended The London School of Economics and Political Science as part of her undergraduate studies. Prior to her legal career, Wendy was a financial analyst at Goldman, Sachs & Co., in the mergers and acquisitions group. She has also volunteered at the ACLU, Connecticut Legal Services and Figure Skating in Harlem where she served on the Board of Directors for over twelve years.
Radmila May was
born in the U.S. but has lived in the U.K. since she was seven apart from seven
years in The Hague. She read law at university but did not go into practice.
Instead she worked for many years for a firm of law publishers and still does occasional
work for them including taking part in a substantial revision and updating of
her late husband’s legal practitioners’ work on Criminal Evidence published
late 2015. She has also contributed short stories with a distinctly criminal
flavour to two of the Oxford Stories anthologies published by Oxpens Press – a
third story is to be published shortly in another Oxford Stories anthology –
and is now concentrating on her own writing.
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