‘American Spy’ by Lauren Wilkinson

Published by Dialogue Books,
4 July 2019.
ISBN: 978-0-349-70100-4 (HB)

This story certainly has a highly dramatic opening: Marie Mitchell is in her bed in a Connecticut suburb, with her four-year-old twin sons, William and Thomas fast asleep in an adjoining room, when she suddenly awakes to realise that there is an intruder in the house who then makes a murderous attack on her. Desperate to avert any harm coming to her sons she shoots the intruder dead and then shelters with a neighbour. Marie then has to explain to the police that she was acting in self-defence and also that she works for the FBI, the American near-equivalent of MI5. Initially disbelieving and prepared to arrest her, they then accept the truth of her assertions and let her go. Nonetheless, a day or so later, she and her sons, travelling under false passports, seek refuge with her mother Agathe in the former French colony of Martinique. Once there, and feeling at least temporarily safe, she settles down and starts to write a long letter to the boys so that, if anything should happen to her, which she thinks all too likely, they will know who she was and that she was a spy . . . and who their father was. This letter forms the structure of the narrative.

Marie, and her older sister Helene, had, for black Americans in the 1970s, a relatively privileged upbringing in a New York suburb. Their father, Bill (‘Pop’), is a member of the New York Police Force, who sees himself as a loyal American, anxious to serve his country and community but has found that his race has held him back from advancement. The marriage breaks up and Agathe returns to her childhood home in Martinique whike the two girls remain with their father. Growing up, they read a lot of spy stories, particularly those by John le Carre, and this has given them the ambition to work for the FBI or the CIA (the US equivalent of MI6). Marie, encouraged by her father’s friend, Mr Ali, who is one of the very few black employees in the FBI, has also joined ‘the Feds’. Like her father, she is anxious to serve her country and at the time (by now we have got to the 1980s) the U.S., under the Presidency of Ronald Reagan with numerous instances of Soviet spies infiltrating Government departments, is, not unsurprisingly, in the grip of anti-Soviet paranoia. But she too finds that she is confined to largely low-level tasks, not just because of her race but because of her sex. She would like to do more meaningful, and more exciting work, rather than spend her time trying to get information about the various civil rights movements which had sprung up in the U.S. to campaign against the rampant discrimination. And she finds her job makes it difficult to make and keep friends; only her first boyfriend, Robbie Young, a minor criminal, remains staunch although her father, naturally enough, disapproves of him. Then Marie is approached by someone from the CIA – Ed Ross – who wants her to find out more about the president of the former French colony, Upper Volta, now renamed Burkina Faso. He is Thomas Sankara who had taken power in his country by an armed uprising. Once established, he had instituted an enormous number of reforms but what the U.S. didn’t like about him was that he was an avowed Marxist and had the backing of the Soviet Union – this at a time when the U.S. and the Soviet Union were engaged in a number of proxy wars in countries such as Angola. The U.S. supported democratic reforming movements so long as they conformed to the U.S. version of democracy. Sankara is now in the U.S. and Ross, and Rick Gold, an FBI colleague of Marie, want her to go to a civil rights meeting which Sankara will be addressing and find some way of getting to know him. She is a fluent French speaker which is an added asset. It soon becomes plain that Ross and Gold want her to do more than simply get to know Sankara and that Marie is to set herself up as a honeytrap so that the U.S. can influence him. This is not something she is keen on doing, but at her first sight of Sankara she finds him immensely charismatic and attractive. And when they meet it is clear that he is attracted to her. 

Eventually, Marie is sent to Burkina Faso in an undercover capacity; her cover is that, having been suspended from the FBI on a trumped-up charge, she is working for an NGO, but her real task is to establish how well-placed is the opposition to Sankara within the ranks of his own colleagues, this opposition being strongly but covertly supported by the U.S. Furthermore, she has a contact within the NGO: Daniel Slater who had been a friend of Marie’s beloved sister Helene who had been killed in a car crash. Helene’s death had devastated Marie; now she very much wants to talk to Slater about her sister. But Slater has further plans for Marie: not just to entrap Sankara by making herself a honeytrap, but to deal with him permanently. But this is beyond anything that Marie is prepared to do, particularly since her feelings for Sankara are now so strong. So, what can she do? And whatever the outcome for Sankara, Marie herself is in immense danger.

This is a very thoughtful and powerful story. I rather like the use of Marie’s letter to her sons as a narrative device, which some on-line reviewers did not, but I do agree with other reviewers who felt that the reason for Marie and her sister wishing to become spies was rather thin. On the other hand the part of the story set in Burkina Faso and its capital Ouagadougou was highly interesting and I would have liked more of the story to concentrate on that part and on Sankara’s efforts to improve his country’s state, doomed though they were in the end. Sankara comes across as a fascinating character, albeit flawed with a conception of democracy far from ours. The general UK public was barely aware of the proxy wars being waged in some African states – after all in the 1980s we had our own troubles (not to say Troubles). Some people may be surprised at the knee-jerk reactions in the US to any whiff of Communism or even attempts at social reform but that has always been an integral part of US political awareness particularly during the Cold War which was still not at an end.  

The ending of the book indicates that there is likely to be a sequel.

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Reviewer: Radmila May

Lauren Wilkinson earned an MFA in fiction and literary translation from Columbia University, and has taught writing at Columbia and the Fashion Institute of Technology. She was a 2013 Centre for Fiction Emerging Writers Fellow, and has also received support from the MacDowell Colony and the Djerassi Resident Artists Program. Wilkinson grew up in New York and lives on the Lower East Side. American Spy is her first novel.

Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.

‘Careless Love’ by Peter Robinson

Published by Hodder,
13 June 2019.
ISBN: 978-1-44478695-8 (PB)

This is this author’s 25^th title in his Detective Banks series and he has done as good a job as ever. Banks, recently promoted to Detective Superintendent and twenty years after the breakup of his marriage, is still living on his own in his moorland cottage; none of his various subsequent relationships have worked out but he is currently resigned to his solitary status.

The story begins with the discovery of a young woman’s body in a car on a remote moorland road. She is soon identified as a young local student, Adrienne Munro, and it seems her body has been there for several days. She is dressed as if for a party with a strapless dress and high-heeled sandals but there is no sign of coat or handbag. But the car was not her car; the owners had left it in a layby after another driver had crashed into it and rendered it undriveable. Someone had subsequently placed Adrienne’s body there – but who? And why? The post-mortem indicates an overdose of sleeping pills, but a search of Adrienne’s college room throws up some queries – for a student with limited resources she has a remarkable amount of advanced electronic gadgets, a fine selection of mostly classical music and a good assortment of fancy clothes. Where did she get the money from to pay for all this? And why did such a beautiful young woman with good friends and a bright future ahead of her commit suicide?

At the same time, Banks’s colleague Annie Cabbot is investigating another mysterious death: a middle-aged man has been found dead elsewhere in Yorkshire’s desolate moorlands. Eventually he is identified as Lawrence Hadfield, a semi-retired investment banker. His death appears to be accidental, the result of a fall. There is nothing to link the two deaths except that, like Adrienne, Hadfield had been smartly dressed, certainly not equipped for wandering about the fells in typical winter weather. Nor are there any indications as to how he got there: no sign of any car in which he could have driven to this remote spot. Both he and Adrienne lived seemingly very quiet lives. Even if these deaths seem to be either suicide or accident respectively, rather than actual murder, and even if there seems to be no link between them, Banks is determined to unravel these mysteries. And, after another death, this time with unmistakeable violence, he begins to uncover a web of sexual corruption.

Peter Robinson is a highly experienced and professional writer who has the ability to tell an intriguing and complex story which holds the attention of the reader. In Alan Banks he has created a likeable and thoroughly believable detective who manages to avoid the usual clichés of morose detective protagonists with their customary alcohol, relationship and authority problems. Banks may like the odd drink, but he does not take it to extremes; his taste in music is eclectic (to say the least) so that there is something there for everyone; and he gets on pretty well with his colleagues. In an interview with the magazine Yorkshire Life the author tells us that, although his Yorkshire locations are fictitious, they are based on real life locations. I felt that this strongly enhances the effectiveness the author’s writing; when a character looks at the landscape, we can clearly imagine what he or she is seeing. And there is, at the end of this book, a promise of a continuation from the events described in this story. Recommended.

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Reviewer: Radmila May

Peter Robinson is one of the world’s most popular and acclaimed writers. The bestselling and award-winning author of the Inspector Banks series; he has also written two short-story collections and several standalone novels, which combined have sold more than ten million copies around the world. Among his many honours and prizes are the Edgar Award, the CWA (UK) Dagger in the Library Award, and Sweden's Martin Beck Award. He divides his time between Toronto and England.

Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.

‘Lucifer Falls’ by Colin Falconer

Published by Constable,
13 June 2019.
ISBN 978-1-47212-798-3 (PB)

DI Charlie George looks up at the victim and wonders how he got there – the crucifixion of a priest (well, he is wearing a dog-collar) in a derelict chapel is an unusual and sadistic murder and Charlie and his colleagues react in different ways, but with an underlying current of black humour.  As their investigation gets going, news comes of a missing priest, who is quickly identified as the victim.  As Charlie and his colleagues investigate this crime, a police officer goes missing.  Hopes of finding him alive are disappointed when his body is found – another macabre death with religious overtones.  There are few leads and, in the face of increasing media pressure, the DCI is pushing for a result.  Ultimately, the newest member of the team, DC Lesley Lovejoy, comes up with an idea that leads to a desperate confrontation with the murderer.

This is the first book to feature DI Charlie George, his name a reference to the 1980s Arsenal footballer and, aptly, he is based in Islington.  He has his own issues:  a difficult relationship, family issues including his mother who has dementia and is in nursing home.  His down-to-earth attitude and his interest in charity shop clothing provide a balance to his problems.

For a police procedural, the useful glossary at the beginning of the book helps with the alphabet of initials.  The plot moves at a good pace, with some scenes providing a slightly gothic feel to the north London atmosphere.  This is a promising start to a new series and it will be interesting to see how Charlie’s life and career move forward.

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Reviewer: Jo Hesslewood

Also by this author:  as well as other series and stand-alone books, the second in the Charlie George series:  Innocence Dies

Colin Falconer writes crime fiction and historical fiction. He has written twenty-six novels which have been translated into 23 languages. In between leaving school and securing his latest publishing deal, he found time to chase black witches across Mexico, travel the silk road, and occasionally play the guitar in pubs. His only claim to fame from those days is completing all the verses of ‘All You Need is Love’ during a bar fight in the Stella Maris Sailors Club. After a short stint in advertising he became a freelance journalist. He also worked in radio and television before writing novels. 

Dot Marshall-Gent worked in the emergency services for twenty years first as a police officer, then as a paramedic and finally as a fire control officer before graduating from King’s College, London as a teacher of English in her mid-forties.  She completed a M.A. in Special and Inclusive Education at the Institute of Education, London and now teaches part-time and writes mainly about educational issues.  Dot sings jazz and country music and plays guitar, banjo and piano as well as being addicted to reading mystery and crime fiction.