Published by HarperCollins,
23 April 2026.
ISBN: 978-0-00866901-0 (PB)
Sinéad Nolan’s first novel is set in rural Ireland during 1995. Nine-year-old Jack is playing in woods near his home in Drumsuin with his sister Saoirse (who is 13) when she goes missing. The village goes once again into mourning as this is not the first time that a girl has disappeared from the forest. No traces of these previous girls have been found, and there are no clues as to what has happened to Saoirse.
The children come from a broken home. Their father left to live in Dublin some time previously, their troubled mother died more recently and they are looked after by their older sister Kate. Their father’s disabled sister Aunt Bronagh lives close by, but she has her own problems which can make her appear unsympathetic and is away when Saoirse goes missing. Kate has a history of self-harming. There are secrets between Jack and Saoirse. The family is looked on with suspicion by the locals.
One-eyed Garda Walter Morris heads the investigation, and Freya Hemmings is summoned from Dublin. She is a former journalist and semi-pro singer who has retrained as a psychotherapist and who has, in the way of contemporary crime novels, her own back story, including the loss of a daughter and a failed relationship which led her to the bottle. She is needed because Jack, the one person who was present when his sister went missing, has been traumatized by his mother’s death and finds it difficult to talk to anyone. He knows things but doesn’t – or can’t - tell. The word ‘erase’ crops up many times when Jack’s memories come to the surface. He finds it easier to express his emotions by painting pictures.
The forest, in which the children play their counting game (it appears to be like hide and seek), looms malevolently over the whole story. It was the site of one of the infamous Magdalene laundries and is a source of terror for some people. Kate says: ‘Everyone in the village knows the forest makes people pay for disrespecting it. The evil forces in that forest stem from the Magdalene Laundry and the horrors back then – the forest felt desecrated by these atrocities – so that’s why we don’t mistreat the forest now. You mess with that forest and you’ll end up involved. ..... The game ... it’s not just a game, it’s a curse you can’t escape.’ And later: ‘People think the rumours about that forest are a joke, but they’re not. The forest knows how to punish people who don’t respect it.’ As a consequence Freya is reluctant to enter the forest when curiosity gets the better of her. There are also claims that an intimidating figure, ‘The Creature’, lives there.
There are a number of
inter-personal relations which add to the problems encountered by the
investigation into what has happened to Saoirse, but the story opens up as time
goes by, particularly after the remains of one of the earlier missing girls are
found. The plot moves swiftly and keeps us guessing. The characters are
well-drawn and the conclusion is convincing. It is a welcome and impressive
debut.
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Reviewer:
David Whittle



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