Published by Hera Books,
20 March 2025.
ISBN: 978-1-80436845-9 (PB)
In her second novel, Joanna Dodd simultaneously paints a convincing portrait of a modern-day, middle-class, comfortable British family while hinting at the horror that can linger behind the charming façade of a well-maintained, expensive family home.
The novel is related primarily through the perspective of young Beth Montgomery, a woman fond of baking who, through social media such as Instagram, has managed to turn her hobby into a profitable business enterprise. She posts recipes and videos of her bakes online. Beth is beginning a new life, moving from London to Fortune’s Yard, a tiny ancient hamlet in Suffolk, with her new husband Noah, a photographer, and his daughter from a previous marriage, thirteen-year-old Dolly. They are to occupy a large comfortable house owned by Noah’s parents, who have recently moved to America, and Beth is pleased by the luxurious spaciousness of her new home.
It all sounds idyllic, but it so quickly goes all wrong, and almost from the moment they arrive at Fortune’s Yard. Beth is dismayed by the remoteness and tininess of the hamlet, which consists of only two other households clustered around a millpond. A pub in the vicinity is a derelict wreck. Beth senses a disturbing atmosphere in the place, however picturesque. She’s alarmed by scarecrows in the garden, the discovery of voodoo dolls, conversations about the power of evil, and Dolly’s fondness for a nearby clearing in the woods called Hannah’s Grove, sacred to the memory of Hannah Fortune, put to death there in the late seventeenth century, accused of witchcraft. Beth’s attempts to befriend her stepdaughter are abruptly rebuffed. She’s given conflicting reports about the circumstances surrounding the death of Noah’s first wife. The neighbours are less than friendly, apparently harbouring unpleasant secrets. Beth feels isolated and increasingly frightened.
Dodd keeps her readers thoroughly engaged with a
rollicking rollercoaster of a plot replete with twists and turns, thrills and
spills. Her plotting is immaculate and her prose deft and engaging. She
Wants You Gone is invested with a sense of unease. We are constantly
reminded that stranger danger is nothing compared to the potential threat posed
by those we consider our nearest and dearest. Highly recommended.
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Reviewer: Wendy Jones Nakanishi/aka Lea O’Harra
Joanna Dodd is fascinated by toxic friendship and family groups and the long shadows cast by old secrets. She lives in London and enjoys acting in plays, running very slowly, and spending time with her (lovely and not at all toxic) family and friends. She’s wanted to be a crime writer since she became addicted to Murder She Wrote as a teenager (although her real-life sleuthing skills are probably not quite as honed as Jessica Fletcher’s). When she’s not writing crime fiction, she also loves reading it!
Lea O’Harra. An American by birth, did her postgraduate work in Britain – an MA in Lancaster and a doctorate at Edinburgh – and worked full-time for 36 years at a Japanese university. Since retiring in March 2020, she has spent part of each year in Lancaster and part in Takamatsu on Shikoku Island, her second home, with occasional visits to the States to see family and friends. An avid reader of crime fiction since childhood, as a university professor she wrote academic articles on it as a literary genre and then decided to try her hand at composing such stories herself, publishing the so-called ‘Inspector Inoue mystery series’ comprising three murder mysteries set in rural, contemporary Japan. She has also published two standalone crime fiction novels.



























