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Monday, 5 July 2021

‘The Evening’s Amethyst’ by Marni Graff

Published by Bridle Path Press,
May 2021.
ISBN: 978-0-9908287-3-0 (PB)

Children’s writer, Nora Tierney is an American who has chosen to settle in England, and now she is happily living in Oxford with her fiancĂ©, Detective Inspector Declan Barnes, her toddler son and their puppy, Typo. Nora does not take her blessings for granted. Ten weeks previously, Sean had been kidnapped; fortunately, he was recovered unharmed, but Nora still has to fight her instinct to be over-protective and not let him out of her sight.

One morning, Nora is phoned by her stepsister, Claire Scott, a student doing a postgraduate degree at Exeter College. Claire is deeply distressed because a good friend and fellow student, Beatrice Jones, has fallen down the stone staircase outside their rooms and has died. Claire did not see Beatrice fall but she was one of the first people on the scene and was kneeling beside her and holding her hand when she died. Nora is sorry for Claire’s grief but glad that her stepsister has turned to her. With Declan’s agreement, Nora takes Claire home with her for a few days. At the same time as Claire phones Nora, Declan is summoned to Exeter College to take charge of the investigation into whether Beatrice’s death was accidental or due to foul play.

Everybody says that Beatrice was a lovely person, who, despite being an outstanding student of children’s literature, put kindness above everything. However, the post-mortem examination of her body reveals marks that indicate she was in a tussle with someone and was almost certainly pushed over the railing to her death. This is confirmed when Claire recovers somewhat from the shock and recalls that she had heard whispering just before Beatrice fell and remembers the word Bea screamed as she plummeted over the railing. Nora has been involved in detective investigations before and she is determined to help Declan get to the truth about Beatrice’s death, especially as, until the death is solved, Claire must remain a suspect, albeit a very unlikely one. It seems evident that the main suspects must be those who had access to the college: four students, including Claire, and two of Beatrice’s tutors.

Although everyone speaks very highly of Beatrice, there are secrets in her life, many of which become apparent during the police investigation. Her home life had been far from perfect because her snobbish mother was so determined to control her life that Beatrice moved from Cambridge to Oxford to escape her. Her parents believe that she is working in Oxford at the weekends, but Bea has told her fellow students that she goes back to Cambridge every weekend to work as a carer for a little girl called Verity. Only Beatrice’s twin brother, Benedick, knows the truth and he is uncertain whether to break his promise to his sister and speak out. Nora and Declan follow their own lines of enquiry, although Nora always keeps Declan informed of her discoveries. However, just as the investigators discover Beatrice’s secret, another player takes a hand and, in a tense, fast-paced conclusion, Nora and Declan have to move quickly to avert another tragedy.

Beatrice’s death is not the only case that Declan’s team are required to investigate. However, the second is far less urgent as it is a cold case, a child abduction case that began twenty years earlier. A young man makes an appointment to consult Declan because he suspects that he is really the small child, Donnie Walsh, who had been taken from outside a pub in Cumbria in 1992. Declan and his second-in-command, Detective Sergeant Watkins, are fully occupied with the Beatrice Jones investigation, and so Declan assigns this case to a junior officer, Detective Constable McAfee. The conclusion of this intriguing, minor investigation provides another shock and disruption to a family that has never knowingly done wrong.

The Evening’s Amethyst is the fifth novel featuring Nora Tierney, but it is an excellent stand-alone with the relevant backstory skilfully woven through. The plots of both investigations are intriguing and bound together by the theme of families and devotion. The characterisation is superb, evoking deep empathy with the victim and those who loved her. Nora is an engaging protagonist, warm-hearted and generous but also shrewd and determined; she is remarkable amongst cosy crime protagonists because she manages to investigate while prioritising the care and well-being of her infant son. Declan is also immensely likeable, and the interaction between his team is lively supportive and pleasant. The Evening’s Amethyst is a compelling read. It is cosy crime of the highest calibre, a page-turner that I wholeheartedly recommend.
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Reviewer: Carol Westron

Marni Graff  is the author of the Nora Tierney mystery series, set in the UK. She is also co-author of Writing in a Changing World, a primer on writing groups and critique techniques. A member of Sisters in Crime, Graff runs the NC Writers Read program in Belhaven and founded the group Coastal Carolina Mystery Writers. She has also published poetry, last seen in Amelia Earhart: A Tribute; her creative nonfiction has most recently appeared in Southern Women’s Her latest book is The Evenings Amethyst.  
http://auntiemwrites.com/

Carol Westron  is a successful author and a Creative Writing teacher.  Her crime novels are set both in contemporary and Victorian times.  Her first book The Terminal Velocity of Cats was published in 2013. Since then, she has since written 5 further mysteries. Carol recently gave an interview to Mystery People. To read the interview click on the link below. 

https://promotingcrime.blogspot.co.uk/2017/11/carol-westron.html www.carolwestron.com
http://carolwestron.blogspot.co.uk/

To read a review of Carol latest book This Game of Ghosts click on the title.

Friday, 2 July 2021

CWA Dagger 2021 Awards Announced

Chris Whitaker, Michael Robotham,
Vaseem Khan and Peter May

win 2021 CWA Daggers.

The winners of the 2021 CWA Daggers, which honour the very best in the crime writing genre, have been announced.

 The prestigious Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

Winner of the CWA Gold Dagger, which is awarded for the crime novel of the year, goes to
Chris Whitaker for We Begin at the End.

Praised as ‘truly memorable’ by the CWA judges, We Begin at The End has been a Waterstones Thriller of the Month and sold in 17 territories, with screen rights snapped up by Disney. Chris Whitaker was first recognised by the CWA as a debut author, when he received the John Creasey (New Blood) Dagger in 2017 for Tall Oaks.

Chris has said writing ‘saved his life’ twice. He began writing as a therapeutic response to being mugged, and stabbed, aged 19, then later falling into serious debt in his job as a city trader. Quitting his finance job in London aged 30, he moved to Spain to write his debut novel.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: ‘This year’s Gold Dagger shortlist featured remarkable books, but We Begin at the End is an astoundingly beautiful and moving achievement in storytelling. Chris’s talent shone through when we awarded him the John Creasey Dagger in 2017. It’s inspiring to see him now take Gold, and I’m delighted that the CWA judges recognised this now acclaimed author from the very start.’

S A Cosby for Blacktop Wasteland and Nicci French with House of Correction were also Highly Commended in the Gold Dagger category.

Winner of this year’s Ian Fleming Steel Dagger for best thriller, is
Michael Robotham for When She Was Good.

The Ian Fleming Steel Dagger is sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand. CWA judges praised the novel as ‘an urgent, poignant and terrifying thriller’.

Born in Australia, Michael worked as a journalist in Australia, America and the UK – as senior feature writer for the Mail on Sunday – before becoming a ghost writer collaborating with politicians and show business personalities to write their autobiographies. Since his first psychological thriller, The Suspect, caused a bidding war at the London Book Fair in 2002, his novels have won numerous awards and been translated into 25 languages.

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. This year the accolade goes to
Eva Björg ÆgisdĂłttir for The Creak on the Stairs. 
The Icelandic author wrote her debut while working as a flight attendant and juggling being a mother, writing the first draft in just nine months. It was a bestseller in Iceland before being picked up in the UK by Orenda Books.

The Sapere Books Historical Dagger was won by
Vaseem Khan for Midnight at Malabar House
Set in 1949/1950 Bombay.
Born in London, Vaseem spent a decade in India as a management consultant. Since 2006 he has worked at University College London’s Jill Dando Institute of Security and Crime Science.

The Crime Fiction in Translation Dagger goes to South Korean author
Yun Ko-eun for The Disaster Tourist,
translated by Lizzie Buehler, praised by the CWA judges as a ‘wildly entertaining eco-thriller’.

The ALCS Gold Dagger for Non-Fiction is awarded to forensic pathologist,
Sue Black, for Written in Bone 
praised by the CWA judges as a ‘humane, wise book’.

The CWA Daggers are one of the few high-profile awards that honour the short story. Clare Mackintosh wins the award with her short story ‘Monsters’ in First Edition: Celebrating 21 Years of Goldsboro Books. The judges praised it for its powerful twist.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries.
This year it goes to Peter May.
The Scottish author has become well recognized for his work both as a novelist and in film and television. His books have sold several million copies worldwide and have won awards in the UK, the USA, and France.

Chair of the judges, Sue Wilkinson, said: ‘Peter May infuses his books with a real sense of place, whether it be China, France or the Hebrides.  His books are tense, atmospheric and complex but always utterly absorbing.’

One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open to unknown and uncontracted writers. The competition for unpublished writers can lead to securing representation and a publishing contract. This year the winner is Hannah Redding for Deception.

The judges said: ‘Deception has all the ingredients of a compelling mystery, complete with unreliable narrators, a cut-off location and a nicely compact time frame.’

Fiona McPhillips was also Highly Commended for Underwater. Praised as being ‘full of intrigue…  The issues of class, sexuality and power explored were very well done.’

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to the independent publisher,
Head of Zeus. Established in 2012.
 Head of Zeus went from start-up to a multi-million-pound business and positioned itself at the forefront of the eBook revolution.

Maxim said: “These awards testify to the wealth of great books and diversity within the crime genre. The Daggers are assuredly the best and most accurate reflection of what's happening on the crime and mystery writing front, with all judges independent of the CWA and renewed on a regular basis.”

The winners were announced at a virtual ceremony on I July, Daggers Live! dubbed the ‘Oscars of the crime genre’.

The evening was hosted by leading crime expert, Barry Forshaw with guest speaker, Abir Mukherjee, who won last year’s CWA Sapere Books Historical Dagger for his novel Death in the East.

Martina Cole also featured at the awards event as the recipient of the 2021 Diamond Dagger for lifetime achievement, the highest honour in British crime writing.

One of the UK’s most prominent societies, the CWA was founded in 1953 by John Creasey; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. They are regarded by the publishing world as the foremost British awards for crime-writing.

Dagger Winners 2021

CWA Gold Dagger
Winner: Chris Whitaker: We Begin at the End (Zaffre, Bonnier)

Highly Commended
S A Cosby: Blacktop Wasteland (Headline, Headline Publishing Group); Nicci French: House of Correction (Simon & Schuster)

 CWA Ian Fleming Steel Dagger
Michael Robotham: When She Was Good (Sphere, Little, Brown Book Group)

CWA John Creasey (New Blood) Dagger
Eva Björg Ægisdóttir
: The Creak on the Stairs (Orenda), Translator: Victoria Cribb

CWA Sapere Books Historical Dagger
Vaseem Khan
: Midnight at Malabar House (Hodder & Stoughton)

 CWA Alcs Gold Dagger For Non-Fiction
Sue Black:
 Written in Bone (Doubleday, Penguin)

 CWA Crime Fiction In Translation Dagger
Yun Ko-eun
: The Disaster Tourist, translated by Lizzie Buehler (Serpent's Tail)

 CWA Short Story Dagger
Clare Mackintosh
: ‘Monsters’ in First Edition:
Celebrating 21 Years of Goldsboro Books (The Dome Press)

CWA Dagger In The Library
Peter May

 CWA Publishers Dagger
Head of Zeus

 CWA Debut Dagger
(Competition for an unpublished novel)

Winner: Hannah Redding – Deception
Highly commended: Fiona McPhillips – Underwater

Thursday, 1 July 2021

‘The Family Tree’ by Steph Mullin and Nicole Mabry

Published by Avon,
10 June 2021.
ISBN: 978-0-00-846124-9 (PB)

You’d think a genealogical DNA kit would confirm and expand on what you already know about your family background. You’d think. But when Liz Catalano sets out to explore her family tree, she gets a whole lot more than she bargains for.

First, she discovers that her large, warm and supportive family isn’t quite what she thought; she was adopted as a baby, and her parents never quite worked up the courage to tell her. Next, she finds that some members of her biological family live within easy travelling distance, and when she makes a tentative approach, they are happy to meet up. Then comes the real kicker. The FBI appear on the doorstep with little warning and tell her they have found a DNA match between their database of unsolved crimes and a member of her new family. And the match turns out to be with one of the most notorious serial killers in history.

The hunt is on. Despite warnings from the FBI and adoptive family, mainly, her cousin and housemate Andie, Liz can’t resist the temptation to explore for herself. And of course, it gets her into all kinds of potential trouble.

This twisty tale is not only a debut novel, but also a joint enterprise. What’s more, authors Steph Mullin and Nicole Mabry live hundreds of miles apart in the USA and communicated over FaceTime and Zoom while the work was in progress. To produce a full-length novel at all under those circumstances is quite an achievement; to write one so seamless that it’s impossible to tell who was responsible for what is little short of amazing.

There are a few issues that more experience will resolve – a tendency to over-explain, maybe a few moments that could have been developed further – but this able pair have made their first novel work well. It has an abundance of the elements required of a psychological thriller: settings that bring the developing story to life; questions that go unanswered right up to the final moments; lots of atmosphere and shivery moments; even a hint of romance. Most important of all, there are characters to warm to, others who send a chill up your spine, and yet more you’re not at all sure about.

Family trees are all about discovering who you are and where you came from – but if genealogy is your thing, this chilling novel might serve as a cautionary tale. Be careful what you wish for – you might get it.
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Reviewer: Lynne Patrick

Steph Mullin and Nicole Mabry met as co-workers in New York City in 2012, discovering a shared passion for writing and true crime. After Steph relocated to Charlotte, North Carolina in 2018, they continued to collaborate creatively. Separated by five states, they spend countless hours scheming via FaceTime and editing each other’s typos in real time on live Google Docs. Steph’s dream of becoming a writer started at age six, followed by winning scholastic writing awards and crafting articles for her university literary magazine. She currently works as Creative Director for a Media, Entertainment and Digital Marketing Solutions company. Nicole works in television as Senior Manager of Post Production in the photography department. The Family Tree is the writing duo's first co-authored crime novel.

Nicole Mabry is an award-winning photographer, retoucher, and writer who now lives in New York City after growing up in Northern California. She manages photography postproduction at NBCUniversal, working on USA Network, Syfy and Bravo. Nicole’s photography has graced the covers of books internationally and has been featured in shows throughout the city. Nicole is an animal lover, avid book reader and horror movie junkie.

Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.