Recent Events

Thursday, 27 June 2019

LONGLIST ANNOUNCED FOR THE McILVANNEY PRIZE 2019

& THE SHORTLIST FOR THE INAUGURAL DEBUT SCOTTISH CRIME BOOK OF THE YEAR

Winner to be presented at Opening Reception of Bloody Scotland International Crime Writing Festival in Stirling on Friday 20 September 2019

‘I went to Bloody Scotland and I was just knocked out....this event was so friendly, so supportive I was honestly overwhelmed’
William McIlvanney – speaking on BBC Scotland, 2012
 
Three years ago the Scottish Crime Book of the Year Award was renamed the McIlvanney Prize in memory of William McIlvanney who is often described as the Godfather of Tartan Noir. Last year his son, Liam McIlvanney, won the prize and led the torchlit procession through the streets of Stirling alongside Denise Mina who was appearing at the first event.

This year David Baldacci is opening the festival and will be leading the torchlit procession flanked by the winners of the McIlvanney Prize and the inaugural debut prize for Scottish crime book of the year but who will they be? The longlist for the McIlvanney and the shortlist for the debut prize are revealed today:

McIlvanney Prize 2019:

All the Hidden Truths, Claire Askew (Hodder)
No Man’s Land, Neil Broadfoot (Little, Brown)
Fallen Angel, Chris Brookmyre (Little, Brown)
Breakers, Doug Johnstone (Orenda)
All That’s Dead, Stuart MacBride (Harper Collins)
In the Silence, M R Mackenzie (Bloodhound Books)
Broken Ground, Val McDermid (Little, Brown)
A Breath on Dying Embers, Denzil Meyrick (Polygon)
Conviction, Denise Mina (Vintage)
The Way of All Flesh, Ambrose Parry (Canongate) aka Chris Brookmyre and Marisa Haetzman
In a House of Lies, Ian Rankin (Orion)
A Treachery of Spies, Manda Scott (Transworld)
Thunder Bay, Douglas Skelton (Polygon)


Of the five authors shortlisted for the debut prize, two – Claire Askew and M R Mackenzie - have also made the longlist for the McIlvanney Prize:

All the Hidden Truths, Claire Askew* (Hodder)
From the Shadows, G R Halliday (Vintage)
Black Camp 21, Bill Jones (Polygon)
In the Silence, M R Mackenzie* (Bloodhound)
The Peat Dead, Allan Martin (Thunderpoint)

They were chosen by an independent panel of readers and booksellers. The finalists for the McIlvanney Prize 2019 will be revealed at the beginning of September and selected by Alison Flood, books reporter for The Guardian and a former news reporter for The Bookseller; James Crawford, chair of Publishing Scotland and presenter of BBC series, Scotland from the Sky and Stuart Cosgrove, writer and broadcaster who was formerly a senior executive at Channel 4. The debut prize will be judged by a panel from the board of Bloody Scotland including crime writers Lin Anderson, Craig Robertson, Gordon Brown and Abir Mukherjee. Everyone on the debut shortlist will be invited to join the debut panel at the festival on Saturday 21 September.

The longlist features established crime writers and debuts, corporates and indies and intriguingly Chris Brookmyre twice (as himself and as Ambrose Parry with his wife Marisa). The award recognises excellence in Scottish crime writing, includes a prize of £1000 and nationwide promotion in Waterstones.

Both the opening ceremony and the torchlight procession are open to the public but tickets are selling fast so people are urged to book them now. All longlisted authors are invited to join the procession and will get a complimentary ticket to the reception.
Previous winners are Liam McIlvanney with The Quaker in 2018, Denise Mina with The Long Drop 2017, Chris Brookmyre with Black Widow 2016, Craig Russell with The Ghosts of Altona in 2015, Peter May with Entry Island in 2014, Malcolm Mackay with How A Gunman Says Goodbye in 2013 and Charles Cumming with A Foreign Country in 2012.

Images can be downloaded from Dropbox:
https://www.dropbox.com/sh/gsqst1k9w80tp2k/AACNm7kDmpTBFWTV9wQmpSPFa?dl=0 
 
For further information or to request press tickets please contact fiona@brownleedonald.com 07767 431 846 @brownlee_donald @bloodyscotland

Wednesday, 26 June 2019

‘Force of Nature’ by David Collenette


Published by The Book Guild Publishing,
28 February 2019.
ISBN: 978-1-91257589-3

Matthew Hawk has the ability to look into a person’s eyes and see their soul and then draw them as they really are.

A friend of his Roche needs his help and arranges for him to fly to Israel, where he meets him along with an Israeli, Haim Ezer. Haim works for Life Sciences Research Institute, and he describes how by using a person’s own DNA they hope to eradicate all illnesses and in theory people could live for ever.

They are taken to the ancient city of Jerusalem where a body has been found. Matthew is then introduced to Marc a priest and friend of Roche. They are puzzled by a large round picture drawn on the wall by the body. In the centre is depicted the Dome of the Rock. They explain the same symbol has been turning up in random places all over the world, always near a dead body. It is hoped Matthew can use his special powers to help solve the murders and see more in the symbols than at first meets the eye.

Unknown to them, psychopath and assassin Eva Colombo, known as The Machine, has been hired to kill Matthew before he can identify the murderer and painter of the symbols. After a couple of very close shaves, Roche realises someone is after Matthew and arranges for him to go to an army training camp to learn how to defend himself. It's in the middle of the desert in Tunisia and he finds it hell! At least after a few weeks he emerges able to shoot and look after himself even if most of the experience was agony.

A while after completing his training, Matthew with Roche fly to Gibraltar where there has been another murder together with the usual symbol. The dead man is a professor at the Life and Earth Sciences Institute, can the murderer be a religious fanatic intent on preventing all investigations into the DNA theory?

Hot on Matthew's heels wherever he goes, is The Machine. Will he be able to identify the killer before he becomes another of her victims? Also, who is hiring her, is it the murderer or someone else involved and if so why?

I thoroughly enjoyed this tale; the action never lets up and although there are several murders there are some very amusing moments. The scrapes Matthew gets into and how he gets out of them by the skin of his teeth had me chuckling out loud, especially when he is training in the desert.

A thoroughly good read which I highly recommend.
-------
Reviewer: Tricia Chappell

David Collenette lives in South Wales with his wife, Louellan, their cat, Chester, and a bizarre collection of personalities squeezed into their psychotic black dog, Martin. They also have four grown children. Writing was always important to David, even from an early age and, although "Could do better" was plastered on all of his school reports, stories came thick and fast.  "Writing is therapeutic. To be authentic with your characters you have to write what you know, so I try to include a piece of me in each of them. It's a great way to write but often frustrating, as the characters' interactions often force the story in ways I'd not initially intended. It makes the characters real and sustainable and provides a richness to them that wouldn't be there otherwise. Writing is addictive; I love it."

Tricia Chappell. I have a great love of books and reading, especially crime and thrillers. I play the occasional game of golf (when I am not reading). My great love is cruising especially to far flung places, when there are long days at sea for plenty more reading! I am really enjoying reviewing books and have found lots of great new authors.





Monday, 24 June 2019

The Cinderella Plan by Abi Silver


Published by Lightning Books,
11 July 2019.
ISBN: 978-1-7856127-6 (PB)

Things are going pretty well for James Salisbury, CEO of the car company SEDA which manufactures autonomous (self-driving) cars. Although special legislation is required the Government, anxious to promote advances in technology particularly when it appears that the risk of accidents is likely to be substantially reduced thus leading to a considerable reduction in the cost of driving insurance – both of which factors will be highly popular with the voting public, is encouraging despite the fears of Government lawyers as to possible legal liability. If the legislation goes through not only will SEDA (and James) make a lot of money but he will be seen as a public benefactor par excellence. And that pleases him no end. The wonderful thing about a self-driving car is that although the law requires the driver to sit in the driver’s seat, he doesn’t have to actually drive at all. He can text on his mobile, write on his IPad: on top of the car there is a computer which uses LIDAR (a combination of laser and radar technology) which can not only see hazards that could escape the attention of the most careful and thoughtful driver but take the appropriate non-hazardous action. Another app, VERA (Voice-activated, Enhanced, Road-experience Assistant) will talk to him about what is going on and chat about all sorts of things: in fact, a more extreme version of ALEXA now found in so many homes. And yet another app, EDR (Event Data Recorder) records everything that has happened.

So, in that case, how is it that James, being driven home by his SEDA and texting his wife, knocks down and kills two small children who ran out into the road and severely injures their mother? Just the sort of thing that SEDA should prevent? Had James in fact switched from SEDA to manual but, having himself been concussed and suffering from memory loss, been unaware of what he had done? If there was some fault in the autonomous system that would be a huge blow to SEDA’s prospects, not to mention James’s vision of himself as a major contributor to road safety. But if he had after all switched to manual, then he is to blame and could be facing a prison sentence of 15 years.

This is where solicitor Constance Lamb and barrister Judith Burton come in. They are called upon to mount a defence of James. In order to do that they have to establish fault – was it James’s or the car’s? - and find out exactly what happened. There is quite a bit of obfuscation, particularly by the Government with evidence being withheld. And James himself is horrified at what has happened and the parents of the two dead children are devastated and would like nothing better than to see James in jail for a very long time. The trial begins and then some unexpected evidence is introduced. What effect will that evidence have on the verdict? And will the verdict be the end of the matter?

In this third in the author’s Burton and Lamb legal series the author presents a highly complex story which the author expertly unravels while at the same time presenting readers with her concern at recent developments in information technology (lie detecting in The Pinocchio Brief, robots performing operations in The Aladdin Trial, and in this book self-driven cars): such developments, she is telling us, may bring their own problems with them. And at the same time, in The Cinderella Plan, we must not forget that two very young children with their lives before them, died needlessly. Recommended.
------
Reviewer: Radmila May
Abi Silver grew up with a house full of books and was inspired from an early age to believe she could join the ranks of her heroes.  Abi accepts that she probably could not have produced The Pinocchio Brief without her experience as a lawyer to guide her along the way.  She says being a lawyer is just like being a detective, often required to construct the whole jigsaw puzzle of a client’s case from its constituent pieces.  Also, being a good judge of character too; the motivation behind people’s actions (which must be gleaned from their words and conduct) is key to understanding what really happened and why. Abi read Law at Girton College Cambridge before wanderlust sent her off travelling through Asia, Australia and South America as a student.  She also lived overseas in Israel for 5 years. Abi now lives in Radlett, Hertfordshire with her husband and three sons. 
 
Radmila May was born in the U.S. but has lived in the U.K. since she was seven apart from seven years in The Hague. She read law at university but did not go into practice. Instead she worked for many years for a firm of law publishers and still does occasional work for them including taking part in a substantial revision and updating of her late husband’s legal practitioners’ work on Criminal Evidence published late 2015. She has also contributed short stories with a distinctly criminal flavour to two of the Oxford Stories anthologies published by Oxpens Press – a third story is to be published shortly in another Oxford Stories anthology – and is now concentrating on her own writing.