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Monday, 12 May 2014

‘Game Set and Murder’ by Elizabeth Flynn



Published by Lion Fiction,
24 October 2013.
ISBN: 978-1-78264-072-1

On the first day of Wimbledon, newly promoted Detective Inspector Angela Costello’s is called to the discovery of a body on the lawn, and not just any lawn.  A long time tennis fan Angela instantly recognises the body of that of tennis Croatian champion Petar Belic, more recently a tennis coach.

As Angela interviews the people surrounding Petar she quickly becomes aware that there are many suspects.  Petar had been seeing a publicist Lavinia Bannister, a fiery and tempestuous woman. But further investigation reveals that Petar had recently been seeing his estranged wife and several sources say that he was hoping for reconciliation.  There was also speculation of financials problems with his business partner Danny Moore.  And Stewart Bickerstaff whom Petar had been coaching – was all well in that relationship?

Feeling very aware of how under scrutiny she is from not only her bosses but also her immediate colleagues - she after all only recently promoted and needs to find her way through that minefield of colleagues she was once on a par with, but is now is in charge of, Angela picks her way warily, particularly with colleagues who decide to test her.  Not an  easy path, but she does have husband Patrick to keep her level headed.

This was for me a wonderful find. It had all the hallmarks of a village murder, but as we all know London is just made up of a collection of villages. 

As Angela picks her way carefully through the lies, subterfuge and miss-information she eventually reaches the truth.  This first novel is highly recommended and I eagerly await the next.
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Reviewer: Lizzie Hayes

Elizabeth Flynn is a Londoner of Anglo-Irish parentage. An ex-actress she currently works in a hospital. However she has always written and has a particular interest in crime fiction. For several years she has also been a keen tennis fan and is very happy that her first novel is a murder mystery set in the tennis world.








Photograph by John Goodman

Saturday, 10 May 2014

‘Never Look Back, by Clare Donoghue



Published by Pan,
13 March 2014.
ISBN: 978-1-4472-3928-4

The inclusion of a chapter of the next book at the end of a debut is a surefire indication that the author is planning a series.

Books two is previewed at the end of Clare Donoghue’s highly accomplished Never Look Back, but there were plenty of indications before I got to the end. She has created a pair of nicely complex protagonists with plenty going on in their personal lives, and a cast of supporting players who also have lots of potential for development; and she shows she has a deft hand with a plot as well.
It’s classic Murder Investigation Team police procedural, set in a well-drawn corner of south London, where the seedier end meets the more upmarket area, so there’s plenty of room for variety in future episodes, and also for high-octane drama.

This time around, there’s a serial killer on the loose, targeting young women who share a sad medical history: they have all recently undergone abortions. D I Mike Lockyer, a sensitive soul, is knocked for six when one of the victims turns out to bear a strong resemblance to his student daughter.

Soon he is juggling four murder enquiries and a possibly connected stalker, on almost no sleep, far too much coffee and a lack of decent food – not to mention problems with the aforementioned daughter, and a brother with mental health issues who inadvertently becomes tangled in the case. The unfolding narrative is mainly seen from Lockyer’s point of view, but occasional shifts to the victims and the perpetrator create a more rounded picture.

Donoghue weaves a tangled web with great skill and pace, and the final unravelling doesn’t drop a single thread  – until right at the end, when, unless I missed something, and I don’t think I did, she simply doesn’t deal with one piece of the puzzle which has been brought to the reader’s attention more than once.

Practice makes perfect, though, and  given the quality of the character-building and the plot-building, and the way the tension builds to a gory climax, the occasional rough edge is easily forgiven; she is a rookie after all. On this evidence, she won’t stay one for long.
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Reviewer: Lynne Patrick

Clare Donoghue  After ten years in London, working for a City law firm, Clare Donoghue moved back to her home town in Somerset to undertake an MA in creative writing at Bath Spa University. She was long-listed for the CWA Debut Dagger in 2011. Never Look Back is her first novel.






Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years, and is proud to have launched several careers which are now burgeoning. She lives on the edge of rural Derbyshire in a house groaning with books, about half of them crime fiction.

Friday, 9 May 2014

‘The Caravaggio Conspiracy’ by Alex Connor




Published by Quercus,
January 2014.
ISBN: 978-1-78206-504-3

This thriller is set in the Art world with dealers constantly trying to outdo each other in deviousness. The paintings on which the plot centres are lost masterpieces by Caravaggio and the story is punctuated by passages apparently giving the thoughts and adventures of Caravaggio himself in 1608.

Art detective Gil Eckhart had given up the art world but is inveigled back by his friend the art dealer, Jacob Levens, when there is a very dramatic double murder of twin dealers in their London Gallery. The plot is fast paced and the twists and turns keep the reader surprised at their unexpectedness.

The story moves between venues with equal facility and Alex manages to give a real sense of different atmosphere in the different places. London, Berlin, New York and Palermo impress with their varying attitudes and appearances.

The protagonist, Gil, is a well drawn character with virtues and flaws that really contribute to the development of events. There are, of course, a number of deaths en route to elucidation and their nature provides a further puzzle for the investigator. Even in such a tightly knit society the identity of the murderer remains cloaked in mystery to the very end.
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Reviewer: Jennifer  S Palmer.
Alex Connor has written four previous conspiracy thrillers in which Art plays a role.

Alex Connor  is also known as Alexandra Connor, and has written a number of historical sagas under this name. She has had a variety of careers including photographic model, personal assistant to a world famous heart surgeon, and working in a Bond Street art gallery. Having always had an intense interest in the history of art, Alex – who has previously written historical novels and non-fiction – is now concentrating on writing conspiracy thrillers set in the art world. She is listed in Debrett’s “People of Today” and is also a Fellow of the Royal Society of Arts.
Jennifer Palmer Throughout my reading life crime fiction has been a constant interest; I really enjoyed my 15 years as an expatriate in the Far East, the Netherlands & the USA but occasionally the solace of closing my door to the outside world and sitting reading was highly therapeutic. I now lecture to adults on historical topics including Famous Historical Mysteries.

Thursday, 8 May 2014

Lesley Thomson



Radmila May reviews two novels by Lesley Thomson

Both these novels are centred around a crime, and with the devastating effect that such crimes have on those involved. They are stand-alones but are cleverly interwoven so that some of the characters from the first novel A Kind of Vanishing  appear in the second. In each novel there is also an important national or international event, in A Kind of Vanishing to the assassination of Robert Kennedy, in The Detective’s Daughter to the wedding of Prince Charles and Lady Diana, thus providing a sense of the interconnectedness of human existence.

‘A Kind of Vanishing’
Published by Myriad Editions,
23 January 2014.
ISBN: 978-0-9565599-3-7

One summer in 1968, as they have done every summer, the Ramsay family, successful doctor Mark, his socialising but erratic wife Isabel, and their children, Gina, Lucian, and the youngest, the awkward, difficult Eleanor, leave London for their house on the Sussex coast. Eleanor is encouraged to play with Alice Howland, only child of the local postman, but neither really likes the other. One day, when Alice is unwillingly playing hide-and-seek with Eleanor near a derelict house by the seaside - a place where they have been forbidden to play - she disappears and is never seen again. The Ramsay family survive this traumatic event although their dysfunctionality is increased yet further and Eleanor is emotionally scarred for life. For the Howlands the tragedy is unbearable; Alice’s mother Kathleen searches continuously for her daughter while her father Steven sinks into deep depression. But even after Steven’s death Kathleen does not give up the search; she cannot rest until she knows the truth.

Thirty-one years later, in 1999, a woman called Alice, a single mother with a daughter, Chris, is living in south-east London. Alice is severely agoraphobic and very dependent on her daughter. Chris knows nothing about her mother’s past so when Alice is extremely upset by a newspaper report that a Professor Mark Ramsay has driven his car into the swimming pool of his Sussex home and had died, Chris cannot understand her mother’s reaction until she works out that her mother must be the missing daughter of Steven and Kathleen Howland referred to in the newspaper report. Her determination to find Kathleen Howland leads her to the Sussex village but the truth, when finally established, is far stranger and more terrible.

This novel was first published in 2007 when it won The People’s Prize for fiction.

‘The Detective’s Daughter’
Published by Head of Zeus, 2014.
ISBN: 978-1781850763

In July 1988, the day before a certain royal wedding, Kate Rokesmith takes her little son Jonathan for a walk along the foreshore of the Thames at Hammersmith. She is brutally murdered. The chief suspect is her husband but he has an alibi and is never charged. He goes abroad and Jonathan is confined to a loveless boarding school. The killer is never brought to justice. This failure has haunted the detective in charge of the case, Terry Darnell, for the rest of his career and even after his retirement had poisoned his relationship with his daughter Stella. By 2011 they are virtually estranged. When she hears of his death from a heart attack in the Sussex seaside town of Seaford she is unconcerned although she is mildly curious about what he is doing in Seaford. But as the owner of a successful cleaning business, which she runs with the same obsessiveness that her father brought to crime solving, Stella intends to clear up her father’s house and effects as soon as possible. But something odd is going on; Stella senses that she is being watched, even in Terry’s house. However, when she discovers that her father had kept copies of all the records of the Rokesmith investigation, she reads through them and she finds that one of her clients, Isabel Ramsay, now old and confused, had been a neighbour of the Rokesmiths and had been the last person to see Kate alive. But now Mrs Ramsay dies and the police are inquiring into her death. Stella has identified her probable stalker, her ex-boyfriend Paul whom she has unceremoniously but characteristically dumped. But is he the only stalker? Who is the mysterious drifter Jack Harmon who appears and inserts himself into Stella‘s life and work, persuading her to continue the search for Kate’s killer in a bitterly cold, snowbound London and Sussex? Can he be trusted?

Both these novels can be warmly recommended.
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Reviewer: Radmila May

Lesley Thomson was born in 1958 and brought up in Hammersmith, West London, grew up in London. She went to Holland Park Comprehensive and graduated from Brighton University in 1981 and moved to Sydney, Australia.. Her novel A Kind of Vanishing won The People's Book Prize in 2010. Her latest novel The Detective's Daughter is a number one bestseller. Ghost Girl the second in the The Detective's Daughter series is out in May 2014. Lesley combines writing with teaching creative writing at West Dean College. She lives in Lewes with her partner and is working on a new novel featuring Stella Darnell.
www.lesleythomson.co.uk/



Wednesday, 7 May 2014

‘The Dying Hours’ by Mark Billingham



Published by Sphere,
27 March 2014.
ISBN:
978-1847444233


It’s been a couple of years since a new Tom Thorne mystery made an appearance, though the man himself did make a very brief cameo guest appearance in Rush of Blood, Mark Billingham’s last standalone novel. I for one was delighted to see Thorne’s full-time return. One problem series authors must face with each new book is how to ring the changes. Billingham has always made it seem effortless, largely through his choice of victims and culprits, but also because his eye for character is so acute. Even minor players are sharp and individual, and most of the regulars reveal different sides to their personalities each time.

This time the policing background is different too. Thorne’s propensity for ignoring procedure regardless of the consequences has put him back on the streets in uniform, and hating every minute of it – so when an apparent double suicide starts to look like suspicious death and CID are disinclined to take his misgivings seriously, he can’t resist going it alone. But alone isn’t going work, so his former colleagues in MIT reluctantly join his investigation, and by hook or by crook – mainly crook; this is crime fiction after all – the old team is back together.

As a background to a carefully woven plot which involves Thorne digging himself and his MIT friends an ever deeper hole as the body count rises, Billingham gives him a new relationship, this time with Helen Weeks, the detective sergeant he rescued from a hostage situation in the previous book in the series. Given Thorne’s emotional dysfunctionality, it’s another car crash waiting to happen, but Helen clearly sees the same endearing quality in him as do all the fans who have made him one of the most popular series cops in British crime fiction.

Mark Billingham is known as one of the most assiduous researchers in the business, and despite Thorne’s maverick tendency everything plot- and police-related has the ring of reality about it. I couldn’t help wondering, though, if, now his own kids are grown, his memories of the way small children develop were a little skewed; Alfie, Helen’s engaging small son, seems a little young for his eighteen months. But Thorne is such a great surrogate dad that we can forgive his creator this small lapse.

It’s good to see that Tom Thorne is still very much part of Mark Billingham’s plans, and The Dying Hours is another spin on a character who clearly still has a surprise or two up his sleeve. As always, I was left eager to see what he will do next time. Roll on volume twelve in the series.
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Reviewer: Lynne Patrick

Mark Billingham
is one of the UK's most acclaimed and popular crime writers. A former actor, television writer and stand-up comedian, his series of novels featuring D.I. Tom Thorne has twice won him the Crime Novel Of The Year Award as well as the Sherlock Award for Best British Detective and been nominated for seven CWA Daggers. His standalone thriller IN THE DARK was chosen as one of the twelve best books of the year by the Times and his debut novel, SLEEPYHEAD was chosen by the Sunday Times as one of the 100 books that had shaped the decade. Each of his novels has been a Sunday Times Top Ten bestseller.  A television series based on the Thorne novels was screened in Autumn 2010, starring David Morrissey as Tom Thorne and series based on the standalone thrillers In the Dark and Rush of Blood are currently in development with the BBC.
http://www.markbillingham.com


Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years, and is proud to have launched several careers which are now burgeoning. She lives on the edge of rural Derbyshire in a house groaning with books, about half of them crime fiction.







Tuesday, 6 May 2014

'Digging Too Deep' by Jill Amadio



Published by Mainly Murder Press
ISBN 978-0-9895804-2-7
Available in paperback and Ebook


Heroine ToscaTrevant has left her gossip columnist career in London amidst strange circumstances - she specialised in royal stories and has seen something in the Palace that has caused anxious royal communications with her editor. She has decided to visit her daughter in California. Her daughter lives on a delightful island off the coast near Los Angeles where the old fashioned narrow streets remind Tosca of her beloved Cornwall.

Tosca harbour ambitions to become a crime correspondent but her English editor is not convinced. In particular he is not very interested in US crimes. Nothing daunted Tosca pursues a peculiar sighting in a neighbour's garden. She is an engaging sleuth who talks nonstop in a way that flummoxes her American hearers especially the male ones. Her pride in her Cornish heritage leads her to use Cornish words particularly in swearing. The swear words are wasted on most of her hearers of course! She also brews a lethal version of mead and likes to take a jug of it with her when she visits. She finds the thought of driving a car with a 'stick shift' very worrying though she would lightheartedly enter into a dangerous investigation.

This is a light hearted romp with an engaging heroine. The investigation Tosca initiates eventually achieves interesting results.
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Reviewer: Jennifer Palmer

Jill Amadio is an author, collaborator, ghostwriter and journalist. She has been a film and theatre critic, a fashion editor, and political columnist. Books are true crime stories, self-help, and how-to books. She has also written about health and fitness, technology, cooking, relationships, lifestyles, sports, motorsports, automotive, and the human condition.

http://www.jillamadio.com


Jennifer Palmer Throughout my reading life crime fiction has been a constant interest; I really enjoyed my 15 years as an expatriate in the Far East, the Netherlands & the USA but occasionally the solace of closing my door to the outside world and sitting reading was highly therapeutic. I now lecture to adults on historical topics including Famous Historical Mysteries.



Friday, 2 May 2014

‘The Tilted World’ by Tom Franklin & Beth Ann Fennelly



 Published in Hardback by William Morrow,
1 October 2013.
ISBN: 978-0062069184

I found this book slow to get into, but once I was in, was completely drawn into the story.  In 1927, after months of non-stop rain, the Mississippi River is about ready to burst its banks and break through the huge levees which keep it under some kind of control.  The setting is superbly realized, and the characters are marvellously well-drawn, so much so that I was there with them the whole time, hunched under that rain, trudging through that mud, stirring the corn-mash in that illicit still.  I really hated to let them go at the end of the book.

Dixie Clay, we learn early on, is a gifted boot-legger, producing a brand of moonshine called Black Lightning which, in those years of Prohibition, was in huge demand everywhere.  Her husband Jesse is a complete waste of space, and she has recently lost her young child.  So when another baby is more or less thrust into her arms, she grabs it with no questions asked.  The donor is called Ingersoll, a blues-playing guitarist and revenue officer who found the baby next to his dead parents.  He and his partner, Ham, a huge red-headed mutton-chopped former soldier, are detailed off by Herbert Hoover to seek and find any and all of the stills they can find, and travelling as engineers to conceal their true identities, 'mysterious, ruthless, unbribable.'  
The rains fall.  The river rises.  Even the pages of the book seemed damp after a while, so much water was there in the story. People are evacuated, before the levee bursts, which it does, thanks to saboteurs detonating a huge amount of explosives. 

This is a gripping story about one of the worst (and yet little remembered) natural disasters the US has ever known, particularly apposite after Katrina.  It is beautifully written (one of the co-authors is a poet and it shows). Very highly recommended.
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Reviewer: Susan Moody

Tom Franklin was born in the hamlet of Dickinson, Alabama. He grew up a non-hunter in a hunting household, preferring writing, drawing, and reading. The first member of his family to finish college. He went to the University of South Alabama, but got such bad grades that his father told me he wasn't going to pay anymore. From there, he got jobs in a warehouse, at a plant that made sandblasting grit, and finally with an engineering firm, which sent him to a chemical plant where he spent years cleaning up hazardous waste. All through these jobs, he took classes at the University of South Alabama, paying his own tuition, and finally discovering creative writing classes. In his late twenties, he finished his BA and later his MA, in a hospital in Mobile, also tutoring in the university's writing lab. From there, he got a job teaching at Selma University, an historical all-black Baptist college. He’d published a few short stories and won third prize in the Playboy College Fiction Contest (around 1991), and so decided to pursue writing as a career. He applied to several MFA programs and wound up, fortunately, at the University of Arkansas, where he met his wife, poet Beth Ann Fennelly. At the end of that four-year-long program, he sold his first book, Poachers, and the idea for Hell at the Breech, to William Morrow. He was later offered the John and Renee Grisham Chair in Creative Writing in Oxford, Mississippi. The family love Oxford and hope never to leave.

Beth Ann Fennelly  was born on May 21, 1971, in New Jersey but grew up in Lake Forest, Illinois.  She obtained her B.A. magna cum laude in 1993 from the University of Notre Dame. After graduation, Fennelly taught English in a coal mining village on the Czech/Polish border.  When she returned to the States, she earned the M.F.A. degree in poetry from the University of Arkansas.  She then received the 1999 Diane Middlebrook Fellowship from the University of Wisconsin.  She was also the recipient of an Illinois Arts Council Grant.  She became an Assistant Professor of English and taught poetry at Knox College in Galesburg, Illinois.  Her chapbook  A Different Kind of Hunger, published by the Texas Review Press, won the 1997 Texas Review Breakthrough Award.  Her poems have been anthologized in Poets of  the New Century, The Penguin Book of the Sonnet, The Best  American Poetry 1996, and The Pushcart Prize 2001 and others.   Fennelly's book of poems, Open House,  has won numerous awards, including the  2001 Kenyon Review Prize in Poetry for a First Book.  Her next  book, Tender Hooks, was published in 2004 by W. W. Norton & Company. Her husband is Tom Franklin, also a fiction writer, and together they have a daughter Claire.  Currently,  Beth Ann Fennelly resides in Oxford, Mississippi, where she is Assistant Professor of  English at the University of Mississippi

Susan Moody was born in Oxford is the principal nom de plume  of Susan Elizabeth Donaldson, née Horwood, a British novelist best known for her suspense novels. She is a former Chairman of the Crime Writer's Association, served as World President of the International Association of Crime Writers, and was elected to the prestigious Detection Club. Susan Moody has given numerous courses on writing crime fiction and continues to teach creative writing in England, France, Australia, the USA and Denmark.  In addition to her many stand alone books, Susan has written two series, on featuring PI Penny Wanawake (seven books) and a series of six books featuring bridge player Cassie Swan.

Adrian Muller



Interview
Adrian Muller
 Founder and co-host of CrimeFest
 talks to Leigh Russell.



 

Leigh:              You work tirelessly to run CrimeFest, one of The Guardian's 'Best Crime-Writing Festivals in the World'. What inspired you to start up the foremost UK  convention for crime writers?
Adrian:           Well, Donna, Myles and I organised the USs 2006 Left Coast Crime (LCC) as a one-off visit to the UK when the central LCC organising committee didnt have any volunteers to organise that years convention. As far as we were concerned, when LCC 2006 was over, that was it: we were done. However, readers, authors and publishers persistently asked us to continue. Readers wanted us to do so because the social aspect of a convention (where everyone is equal and comes together to celebrate crime fiction – central to US events) hadnt been around since the first few Manchester Dead on Deans conventions. Authors wanted a British version of LCC because any commercially published author would be eligible for a panel. (All other UK crime fiction events were – and still are as far as Im aware – by invitation only.) And the reason publishers wanted us to go on was due to the large sponsorship fees that were being charged for authors to appear at some other UK festivals. We didnt want to cause confusion and dilute the LCC brand, so we set up CrimeFest, which is now in its 7th year. As for us being the foremost UK convention for crime writers: thank you for saying so, but I dont think were quite there yet. (Also, we dont limit ourselves to writers.) But we like our reputation for being the friendliest.

Leigh:              It's hard to believe CrimeFest only started in 2008. How do you feel about the phenomenal success the event has achieved in such a short time?
Adrian:           You often hear authors say it has taken them years to become an overnight success and I think the same is true for CrimeFest. It has taken us a few years to find the right format, but because of the friendly social atmosphere readers, authors and many publishers have stuck by us. Another important factor may be that the author mix changes from year to year, and that keeps the panels and experience ‘fresh.

Leigh:              While CrimeFest attracts many bestselling authors like Lee Child and Nicci French, you remain generous in your support of debut authors. What advice would you offer to authors new on the scene?
Adrian:            The most important piece of advice I ever heard someone give a new author was to keep a box of first editions stashed away somewhere. Once they hit the ‘big timethey are going to be worth a fortune. With regard for general attitude to readers, fellow authors, etc: try to be friendly and approachable in person and in public, and dont be pushy about your book. The latter is a killer and, if they like you, theyll be interested in your work. And word-of-mouth is the best kind of promotion.

Leigh:                How do you see the future for self published authors, and for the traditionally published?
Adrian
:             Due to the success of some authors with e-publishing, I am gradually beginning to be persuaded that self-publishing might be the way to go for some. There is a reason why publishers are taking on self-published writers like Tom Vowler and Kerry Wilkinson. And of course established names like Zoe Sharp are now going down the self-publishing route as well. But it is a headache for convention organisers and organisations like the Crime WritersAssociation. How are conventions and professional organisations going to determine the ‘legitimacyof authors? What criteria should be applied? This year, for the first time, CrimeFest is organising and moderating an Indie Voices Panel. We were fortunate that Joanna Penn, a leading voice on electronic and self-publishing, established a selection process. As for traditional publishing, I think it will continue, adapting to trends and new technology.

Leigh:                I have seen serious discussions online about whether all writers are insane. What do you think?
Adrian:              Thats a blanket statement. I know authors who are sane and practical, and I know authors who are bonkers. Though there is one thing they must all have in common: self discipline. Like many people Ive tried writing fiction myself, and it is not easy. I still havent mastered being able to sit myself down and write day after day.

Leigh:                Finally - I know that CrimeFest sells out fast, so please let us know when bookings open for 2015.
Adrian:              Long answer: sign up for the CrimeFest newsletter at www.crimefest.com and well let you know. Short answer: 1 June (at www.crimefest.com/register.html)

Thanks for taking time out to chat to us Adrian.




 
First organised in June 2008, CRIMEFEST has not only become one of the biggest crime fiction events in Europe, but also one of the most popular dates in the international crime fiction calendar.
The annual convention was featured as one of the ‘best crime-writing festivals around the world’
in 
the Guardian and one of the ‘50 Best Festivals’ in the Independent.
CRIMEFEST draws top crime novelists, readers, editors, publishers and reviewers from around the world
and gives delegates the opportunity to celebrate the genre in an informal atmosphere.
2014 Highlights include:
Gala Dinner
Interviews with the featured Guest Authors and Toastmaster
the eDunnit, Goldsboro Last Laugh and Sounds of Crime Award presentations
In addition, there will be some fifty author panels with more than a hundred participating authors,
crime writing workshops, a pitch-an-agent strand, and much more.

http://www.crimefest.com/